Linn, Tammy
Year: 2010
Complete Citation:
Linn, Tammy. Variations on “America” for Violin and Piano by Charles Ives, arranged by Daniel Dorff. American String Teacher, Vol. 60, No. 1 (2010): 71-72.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Lowens, Irving
Year: 1956
Complete Citation:
Lowens, Irving. “Twelve Songs and Fourteen Songs.” Notes 13, no. 2 (March 1956): 354-355.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Magee, Gayle
Year: 2005
Complete Citation:
Magee, Gayle Sherwood. 2005. “Review of Charles Ives, 129 Songs, edited by H. Wiley Hitchcock.” Institute for Studies in American Music Newsletter 34, no. 2 (Spring 2005): 11, 15.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Massey, Drew
Year: 2007
Complete Citation:
Massey, Drew. “The Problem of Ives’s Revisions, 1973-1987.” Journal of the American Musicological Society, vol. 60, no. 3 (2007): 599-645.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2007
Complete Citation:
Massey, Drew. “The Problem of lves’s Revisions, 1973-1987.” Journal of American Musicological Society 60, no.3 (Fall): 599-645.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2013
Complete Citation:
Massey, Drew. “Ives Fourth Symphony Charles Ives, Symphony no. 4, ed. William Brooks (mvt. 1), James B. Sinclair (mvt. 2), Kenneth Singleton (mvt. 3), Wayne D. Shirley (mvt. 4) (Charles Ives Society Critical Edition).” Notes, Vol. 69, No. 3 (2013): 621-624.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2013
Complete Citation:
Massey, Drew. John Kirkpatrick, American music, and the printed page. Rochester, NY: University of Rochester Press, 2013.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Meine, Sabine
Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.Source: Journal
IV. Individual Studies by Genre
E. Songs
Meister, Barbara
Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.Notes: Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).
Source: Book
IV. Individual Studies by Genre
E. Songs
Mellers, Wilfrid
Year: 1969
Complete Citation:
Mellers, Wilfrid. “Pre-sonata Ives.” Musical Times (July 1969) 110/1517: 744-745.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Meyer, Alice
Year: 2010
Complete Citation:
Meyer, Alice. “Reviews: Music Reviews - “Three Songs.”” The Clarinet, Vol. 37, No. 3 (2010): 74-75.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Meyer, Felix
Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.Source: Journal
IV. Individual Studies by Genre
E. Songs
Miller, Kenneth E.
Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.Notes: Discusses When Stars Are in the Quiet Skies.
Source: Book
IV. Individual Studies by Genre
E. Songs
Miller, Philip L.
Year: 1955
Complete Citation:
Miller, Philip L. “Ives Songs.” The American Record Guide 21, no. 11 (July 1955).Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Mixdorf, Cory
Year: 2012
Complete Citation:
Mixdorf, Cory. “Reviews: Solo Materials - Charles Ives: “Four Songs.”” ITA Journal, Vol. 40, No. 3 (2012): 42.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Morgan, Robert P.
Year: 1992
Complete Citation:
Morgan, Robert P. “General William Booth enters into heaven.” In Anthology of twentieth-century music. New York, NY: W.W. Norton, 1992.X. Editing Practices and Articles Regarding Published Editions
C. Anthology Selections
Murphy, Scott
Year: 2008
Complete Citation:
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.Source: Journal
IV. Individual Studies by Genre
E. Songs
Nathan, Hans
Year: 1960
Complete Citation:
Nathan, Hans. “The Modern Period—United States of America.” In A History of Song, edited by Denis Stevens, 431-437. New York, NY: W.W. Norton, 1960.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs