Bibliography

Gardner, John

Year: 1967

Complete Citation:

Gardner, John. “Testing Genius by Analysis.” Composer No. 24 (Summer 1967).

Source: Journal

VI. Topical Studies
G. Music Theory Analyses

Garland, Peter

Year: 1982

Complete Citation:

Garland, Peter. Americas: Essays on American Music and Culture, 1973-80, 32-52, 65-116, 109. Santa Fe, NM: Soundings Press.

Notes:

In “American Piano: An Appreciation” (32-52), the author appreciates “the Ives piano music, [because of] how its complexity, enclosed in the scope of a keyboard, mirrors that of a full orchestra.” In his “Oaxacan Journal” (65-116), he refers to Tone Roads, From the Steeples and the Mountains, and General William Booth Enters into Heaven and he argues that “Ives totally revolutionized the art song” (109).

Source: Section in Book

VI. Topical Studies
L. Ives and America

Garland, Peter, ed.

Year: 1974

Complete Citation:

Garland, Peter, ed. “Soundings: Ives, Ruggles, Varèse.” Soundings Magazine, January 1, 1974.

Source: Magazine

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Garland, Peter (editor)

Year: 1987

Complete Citation:

Garland, Peter, ed. “Charles Ives: Notes for Lou Harrison (1947).” In A Lou Harrison Reader, 20-28. Santa Fe, NM: Soundings Press, 1987.

Source: Chapter in Book

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Garrett, Charles Hiroshi

Year: 2008

Complete Citation:

Garrett, Charles Hiroshi. Struggling to Define a Nation: American Music and the Twentieth Century. Berkeley, CA: University of California Press, 2008.

Source: Book

VI. Topical Studies
L. Ives and America

Year: 2008

Complete Citation:

Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.

Source: Chapter in Book

VI. Topical Studies
B. Musical Quotation or Borrowing

Year: 2008

Complete Citation:

Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.

Source: Chapter in Book

VI. Topical Studies
B. Musical Quotation or Borrowing

Garvelmann, Donald

Year: 1977

Complete Citation:

Garvelmann, Donald. “Immersed in Ives.” The American Record Guide 40, no. 9 (August 1977): 16-19.

Source: Magazine

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gatens, William J.

Year: 2006

Complete Citation:

Gatens, William J. “Collections: “In the Old World and the New.”” American Record Guide, Vol. 69, No. 3 (2006): 195.

Source: Magazine

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gatito, El

Year: 2007

Complete Citation:

Gatito, El. “Art of Darkness.” Philadelphia Weekly, June 27, 2007.

Source: Newspaper