Image
Complete Citation:
Emmery, Laura. “An American Modernist: Teatime with Elliott Carter.” Tempo, Vol. 67 (2013): 22-29.
Bibliography
Genres
Emmery, Laura
Year: 2013
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Emmery, Laura and Elliot Carter
Year: 2013
Complete Citation:
Emmery, Laura, and Elliott Carter. “An American Modernist: Teatime with Elliott Carter.” Tempo, vol. 67, no. 264 (2013): 22-29.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Emmerik, Paul van
Complete Citation:
Paul van Emmerik. “Review of Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition.” Notes (March 2000) 56/3: 729.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Engel, Lehman
Year: 1973
Complete Citation:
Engel, Lehman. This Bright Day. New York, New York: The Macmillan Company, 1974.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
English, David
Year: 2001
Complete Citation:
David English. “How Ives Won [Response to the Harmonist].” New Yorker 7 (January 22, 2001).Notes:
Contradicts Ross’s use of the word “failure” in refer-ence to Ives’s career.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ericson, Raymond
Year: 1969
Complete Citation:
Ericson, Raymond. “Retrospective Cowell Program Honors the Music Experimenter.” The New York Times (March 20, 1969): 55.Notes:
A review of a concert. Only mention of Ives: “A member of the audience sported a button ‘Ives Lives.’ This reference to the great innovator in American music, Charles Ives, might just as well have read ‘Cowell Lives.’”
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ewen, David
Year: 1934
Complete Citation:
Ewen, David. Composers of Today. New York, NY: Wilson, 1934: 132-133.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1969
Complete Citation:
Ewen, David. “The Eccentrics.” In David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 51-60. New York, NY: Chilton Publishing, 1969.Notes:
Discusses Quartet No. 2; Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; Symphony No. 2; and Symphony No. 4.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Feder, Stuart
Year: 1993
Complete Citation:
Feder, Stuart. “Homesick in America: The Nostalgia of Antonín Dvořák and Charles Ives.” In Dvořák in America, 1892-1895. Portland, OR: Amadeus Press, 1993.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1993
Complete Citation:
Feder, Stuart. “The ponds of Thoreau and Charles Ives.” In Thoreau’s world and ours: a natural legacy. Golden, CO: North American Press, 1993.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Feith, Michel
Year: 1999
Complete Citation:
Feith, Michel. “Commemoration: Translation or Betrayal? Saint Gaudens, Ives, Lowell (Shaw Memorial, ‘For the Union Dead,’ ‘Charles Ives’ ‘Three Places in New England’).” Revue Française d’Études Américaines80 (March 1999): 69-81.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ferrari, Giordano
Year: 2002
Complete Citation:
Ferrari, Giordano. “Le «Populaire» Comme Matériau Pour L’innovation Musicale: Satie, Milhaud, Ives.” Musurgia, vol. 9, no. 1 (2002): 61-74.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Field, Corey
Year: 1984
Complete Citation:
Corey Field. “Charles Ives, James Joyce, and the General Slocum.” Keynote: A Magazine for the Musical Arts 8/8 (October 1984): 8-13.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Fiender, Reinhard
Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Finn, Geraldine
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Fischlin, Daniel
Year: 2011
Complete Citation:
Fischlin, Daniel. ““A Door to Other Doors”: Henry Threadgill Interview with Daniel Fischlin.” Critical Studies in Improvisation, Vol. 7, No. 2 (2011).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Fisher, Fred
Year: 1975
Complete Citation:
Fred Fisher. “Ives and Schoenberg: The Impulse to Greatness.” Connecticut Review VIII/2 (April 1975): 82-88.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers