Bowden, Derek T.
Year: 2004
Complete Citation:
Bowden, Derek T. “Musical journeys across the American landscape: American sense of place and landscape revealed through national anthems and selected works of Aaron Copland and Charles Ives.” M.A. Thesis, University of Delaware, 2004.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Boziwick, George
Year: 2000
Complete Citation:
Boziwick, George. “Henry Cowell at the New York Public Library: A Whole World of Music.” Notes 57, no. 1 (September 2000): 46-58.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bozynski, Michelle Carole
Year: 1995
Complete Citation:
Bozynski, Michelle Carole. “Transcendentalism and social context as meaning in the music of Charles Ives: a case study of The things our fathers loved.” M.Mus. Thesis, University of Alberta, 1995.Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bradshaw, James Robert McKeel
Year: 2014
Complete Citation:
Bradshaw, James Robert McKeel. “Historical and musical comparison of cello works by David Stanley Smith and the Fourth violin sonata by Charles Ives.” D.M.A. Thesis, University of Oklahoma, 2014.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Brandt, R. Lynne
Year: 1998
Complete Citation:
Brandt, R. Lynne. “Transcendentalism and intertextuality in Charles Ives's war songs of 1917.” M.M. Thesis, University of North Texas, 1998.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Brant, Henry
Year: 1957
Complete Citation:
Brant, Henry. “Henry Cowell—Musician and Citizen.” Etude (February 1957): 15, 47, 58-59; (March, 1957): 20, 60-61; (April 1957): 22, 60-61.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
Brant, Henry. “Space as an Essential Aspect of Musical Composition.” In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.Notes: Cites <i>The Unanswered Question</i> as an example.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Braun, Doris
Year: 2006
Complete Citation:
Braun, Doris. “International Corner: [Keith Ford].” The Triangle of Mu Phi Epsilon, Vol. 99, No. 4 (2006): 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brian, Crystal
Year: 1999
Complete Citation:
Crystal Brian. “‘To Be Quiet and Listen’: The Orphans’ Home Cycle and the Music of Charles Ives.” In Horton Forte: A Casebook, edited by Gerald C. Wood, 89-108. Garland Reference Library of the Humanities: Case- books on Modern Dramatists. New York, NY: Garland Press, 1999.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brits, Hanneli
Year: 2000
Complete Citation:
Brits, Hanneli. Die invloede op Charles E. Ives se komposisiestyl. Potchefstroom, South Africa: North West University Library, 2000.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brock, Gordon R.
Year: 1996
Complete Citation:
Brock, Gordon R. “Four works for wind ensemble.” D.M.A. thesis, University of Colorado, 1996.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Brooks, William
Year: 2018
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brooks, William Fordyce
Year: 1976
Complete Citation:
Brooks, William. “Sources and Errata List for Charles Ives’ Symphony No. 4, Movement II.” D.M.A. diss., University of Illinois, 1976.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Browning, J. Robert
Year: 2001
Complete Citation:
Browning, J. Robert. “‘My God, What Has Sound Got to Do with Music?’ Interdisciplinarity in Eliot and Ives.” In T. S. Eliot’' Orchestra: Critical Essays on Poetry and Music, edited by John Xiros Cooper, 195-214. New York, NY: Garland Press, 2001.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brown, Stephen
Year: 1988
Complete Citation:
Brown, Stephen. “In America: Ives and Copland.” In The Sense of Music. San Diego, CA: Harcourt Brace Jovanovich, 1988.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Broyles, Michael
Year: 2004
Complete Citation:
Broyles, Michael. “Precursors: Charles Ives and Leo Ornstein.” In Mavericks and Other Traditions in American Music, 71-91. New Haven, CT: Yale University Press, 2004.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bruce-Clyne, Katherine
Year: 1993
Complete Citation:
Bruce-Clyne, Katherine. “Analyses of ten songs by Charles Edward Ives.” M.A. thesis, City College of New York, 1993.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bruderer, Conrad
Year: 1968
Complete Citation:
Bruderer, Conrad. “The Studies of Charles Ives.” Ph.D. diss., Indiana University, 1968.Notes: Bruderer, Conrad. 1. A Comparison of the Preludes found in Common in the Clavier-Buchlein Vor Wilhelm Friedemann Bach, “the Well Tempered Clavier.” 2. A Study of the Etudes of Charles Ives, ProQuest Dissertations Publishing, 1969.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Bruhn, Christopher Edwin
Year: 2006
Complete Citation:
Bruhn, Christopher Edwin. “Ives’s multiverse: the Concord Sonata as American cosmology.” Ph.D. diss., City University of New York, 2006Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Bryant, Sister Emily Marie
Year: 1966
Complete Citation:
Bryant, Sister Emily Marie. “The avant-garde character of Charles Ives's music exemplified in representative vocal, chamber, and symphonic works.” M.A. thesis, Mount St. Mary's College, 1966.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses