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Complete Citation:
Johnson, Marc E. “Charles Ives’s (Utopian, Pragmatist, Nostalgic, Progressive, Romantic, Modernist) Yankee Realism.” American Music 20.2 (Summer 2002): 188-233.
Bibliography
Genres
Johnson, Marc E.
Year: 2002
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Johnson, Owen
Year: 1912
Complete Citation:
Johnson, Owen. Stover at Yale. Boston, MA: Little, Brown, 1912.Source: Book
XIII. Ives in Literature
B. Fiction
B. Fiction
Johnson, Ronald
Year: 1935
Complete Citation:
Johnson, Ronald, 1935. “The Different Musics.” In The Different Musics. New York, NY: W.W. Norton, 1969.Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1975
Complete Citation:
Johnson, Ronald. “Charles Ives: Two Eyes, Two Ears.” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 345-349.Source: Journal
XIII. Ives in Literature
A. Poetry
A. Poetry
Johnson, Russell I.
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth-Century Expression.” Journal of Aesthetics and Art Criticism 28 (1970): 361-368.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of 20th-century Expression.” Journal of Aes-thetics and Art Criticism 28/3 (Spring 1970): 361-368.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Johnson, Russell, I.
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth- Century Expression.” Journal of Aesthet-ics and Art Criticism 28 (Spring 1970): 361-368.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Johnson (Swafford), Jan
Year: 1968
Complete Citation:
Johnson (Swafford), Jan. “The Second Phase: Compositional Techniques and Form in Ives’ Fourth Symphony.” Senior Thesis, Harvard College, 1968.Notes:
Unpublished
Source: Senior Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Johnson [Swafford], Jan L.
Year: 1968
Complete Citation:
Johnson [Swafford], Jan L. “The Second Phase Compositional Tech-niques and Form in Ives’ Fourth Symphony.” B.A. senior honors essay, Harvard College, Harvard University, 1968.Source: B.A. senior honors essay
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Johnson, Timothy A.
Year: 1996
Complete Citation:
Johnson, Timothy A. “Chromatic Quotations of Diatonic Tunes in Songs of Charles Ives.” Music Theory Spectrum 18 (1996): 236-2-61.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2004
Complete Citation:
Johnson, Timothy A. Baseball and the Music of Charles Ives: A Proving Ground. Lanham, MD: Scarecrow Press, 2004.Source: Book
III. Book-Length Studies
B. Other
B. Other
Johnston, Walter E.
Year: 1985
Complete Citation:
Johnston, Walter E. “Style in W. C. Williams and Charles Ives.” Twentieth Century Literature, vol. 31, no. 1 (1985): 127-136.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1985
Complete Citation:
Johnston. Walter. “Style in W.C. Williams and Charles Ives.” 20th Century Literature 31 (Spring 1985): 127-136.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Jolas, Betsy
Year: 1970
Complete Citation:
Jolas, Betsy. “Sur Ives: ‘The Unanswered Question,’” Musique en Jeu, No. 1 (1970).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1970
Complete Citation:
Jolas, Betsy. “Introduction a la Musique Americaine: Sur The Unanswered Question.” Musique en Jeu 1 (November 1970): 13-16.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Jolas, Betsy, “Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 250-251. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Year: 1977
Complete Citation:
Jolas, Betsy. “Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 250-251. Urbana, IL: University of Illinois Press, 1977.V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Jolly, James
Year: 1985
Complete Citation:
Jolly, James. “Encounters with Ives.” Gramophone 63/748 (September 1985): 311.Notes:
Discussion of Ives’s Symphony No. 4 on the occasion of the re- issue of RCA recording on Chandos.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2004
Complete Citation:
Jolly, James. Interview: “Aimard Flies Free with Concord [Interview].” Gramophone 82/980 (June 2004): 30--31.Notes:
A discussion of Pierre -Laurent Aimard's performances and recording of Sonata No. 2, “Concord, Mass., 1840--1860,” for piano.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
C. Interviews
Year: 2010
Complete Citation:
Jolly, James. “Soundwaves: Tune Surfing.” Gramophone, Vol. 88 (2010): 134-135.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews