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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kandell, Leslie

Year: 2009
Complete Citation:
Kandell, Leslie. “Life in the Eye - Tanglewood: Music to Look At”. American Record Guide, Vol. 72, No. 6, (2009): 16-17.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Kandell, Leslie. “New York Philharmonic: Park Avenue Armory Concert.” American Record Guide, Vol. 75, No. 5 (2012): 32-33.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kaptanis, Arthur

Year: 1989
Complete Citation:
Kaptanis, Arthur. “Wolff’s Ives Crisp, Clear but Lacks Heft: FINAL Edition.” The Gazette (Montreal), March 22, 1989.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Karl, Frederick R.

Year: 1985
Complete Citation:
Karl, Frederick R. Modern and Modernism: The Sovereignty of the Artist, 1885-1925, 337. New York, NY: Atheneum, 1985.
Notes:

“In America, Charles Ives was, without direct awareness of European developments, pursuing his own forms of Modernism,” (340-341).

Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Karlovits, Bob

Year: 2013
Complete Citation:
Karlovits, Bob. “‘Charles Ives’ Showcases Strife, Music, Basketball.” McClatchy - Tribune Business News, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Karolyi, Otto

Year: 1996
Complete Citation:
Source: Chapter in Book
III. Book-Length Studies
B. Other
Year: 1996
Complete Citation:
Karolyi, Otto. Modern American Music from Charles Ives to the Mini-malists, 9-20. Teaneck, NJ: Fairleigh Dickinson University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
D. Insurance

Karp, T.

Complete Citation:
Karp, T. “Charles Ives’s Book of 114 songs.” In A Musical offering: essays in honor of Martin Bernstein, edited by Edward H. Clinkscale and Claire Brook. New York: Pendragon Press, 1977.
IV. Individual Studies by Genre
E. Songs

Karr, Harrison

Year: 1933
Complete Citation:
Karr, Harrison. “The Pan Americans.” Trend 1, 4 (January-March 1933): 141-143.
Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues

Karrel, John

Year: 1974
Complete Citation:
Karrel, John. “‘Musical Meeting’ on Ives Draws Many.” The Hartford Courant, August 18, 1974, A2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kart, Larry

Year: 1979
Complete Citation:
Kart, Larry. “Two Explosive Albums Emit Shattering Waves of Sound.” Chicago Tribune, May 27, 1979, G6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kaskowitz, Sheryl

Year: 2006
Complete Citation:
Kaskowitz, Sheryl. “‘The Voice of the People Arose’: Charles Ives, Communal Singing and Ritual in American Life.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
VI. Topical Studies
K. Stylistic Influences on Ives

Kassler, Jamie Croy

Year: 1994
Complete Citation:
Kassler, Jamie Croy. “Meaning in the Music of Charles Ives.” In Metaphor: a musical dimension. Basel, Switzerland: Gordon and Breach, 1994.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kastendieck, M.

Year: 1963
Complete Citation:
Kastendieck, Miles. “Philharmonic Exits in Top Form.” The Christian Science Monitor, May 31, 1963, 4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Kastendieck, Miles. “Ives’ Fourth Blooms at Last: Typical of Ives.” The Christian Science Monitor, May 5, 1965, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kastendieck, Miles

Year: 1946
Complete Citation:
Kastendieck, Miles. “Music Critics Circle Awards.” Christian Science Monitor. July 5, 1946: 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1946
Complete Citation:
Kastendieck, Miles. “Charles Ives Emerges.” Christian Science Monitor, June 15, 1946, 10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1948
Complete Citation:
Kastendieck, Miles. “Collegiate Chorale Proves Worthy.” New York Journal American, March 4, 1948, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1951
Complete Citation:
Kastendieck, Miles. 1951. “Ives Symphony Is Interesting.” New York Journal--American, Feb-ruary 23, 1951.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Kastendieck, Miles. “The Pioneering Ives.” New York Journal American, April 25, 1965, 31.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances