Kellers, Wilfred
Year: 1964
Complete Citation:
Kellers, Wilfred. “Realism and Transcendentalism: Charles Ives as American Hero.” In Music in a New Found Land: Themes and Developments in the History of American Music, 38-64. London, United Kingdom: Barrie and Rockliff, 1964.Source: Chapter in Book
VI. Topical Studies
Kellers, Wilfrid
Year: 1969
Complete Citation:
Kellers, Wilfrid. Review of Essays Before a Sonata and Other Writings, edited by Howard Boatwright. Musical Times 110 (July 1969): 744-45.Source: Journal
III. Book-Length Studies
C. Book Reviews
Kelly, John Alexander
Year: 1931
Complete Citation:
Kelly, John Alexander. “Musical Settings of Goethe’s Poems in America.” The Germanic Review VI, 3 (July 1931): 241.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kelly, June
Year: 1949
Complete Citation:
Kelly, June. “American Music Comes of Age.” Music Journal (September 1949).Source: Journal
VI. Topical Studies
L. Ives and America
Kelly, Kevin
Year: 2000
Complete Citation:
Kelly, Kevin. “Reviews of Books,” Review of A Descriptive Catalogue of the Music of Charles Ives, by James B. Sinclair. The Bulletin of the Society for American Music, Vol. 26, No. 1 (2000): 27-28.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2011
Complete Citation:
Kelly, Kevin. “Recording Reviews: Charles Ives - “The Light That Is Felt: Songs of Charles Ives”.” Journal of the Society for American Music, Vol. 5, No. 2 (2011): 283-285.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Kelly, Kevin Oliver
Year: 1988
Complete Citation:
Kelly, Kevin Oliver. "The Songs of Charles Ives and the Cultural Con-text of Death.” Ph.D. dissertation, University of North Carolina, Chapel Hill, 1988.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Kendall, Blanche and Marguerite Kelly Kyle
Year: 1947
Complete Citation:
Kendall, Blanche and Marguerite Kelly Kyle. “Music of the Moment.” Pan Pipes 40/2 (December 1947): 126--129.Notes: Cited among the several dozen newly -issued scores are Ives's two songs: Evening and Walking.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Kennicott, Philip
Year: 1998
Complete Citation:
Kennicott, Philip. “Schuller’s Return Blends ‘New’ Ives, ‘Old’ Masters.” St. Louis Post-Dispatch, March 2, 1998, sec. B, 2.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Kennicott, Philip. “NSO, Up To the Challenge Of Ives’s Genius.” Washing-ton Post, April 27, 2001, sec. C, 1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2005
Complete Citation:
Kennicott, Philip. “The Magnificent Miss Graham”. Gramophone, Vol. 83 (2005): 24-27, 29.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Kennicott, Philip. Sounds of America: Ives’s Answered Question. Gramophone, Vol. 89 (2012): I, III.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Kennicott, Philip. “An American Idol.” Gramophone, Vol. 89 (2012): 28-29, 31, 33.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Kenyon, Nicholas
Year: 1976
Complete Citation:
Kenyon, Nicholas. “Holland Festival (Hague Residentie Orchestra).” Music and Musicians 25, no. 2 (October 1976): 52.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 2009
Complete Citation:
Kenyon, Nicholas. “Review: Critics: Releases: CLASSICAL: Ives, Complete Choral Psalms SWR Vokalensemble Stuttgart/Marcus Creed.” The Observer (London, England), February 22, 2009, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Keogh, Tom
Year: 2015
Complete Citation:
Keogh, Tom. “And Now for Something Completely Different: Charles Ives’ Fourth.” The Seattle Times, January 23, 2015, E23.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Keough, James
Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.Source: Magazine
VI. Topical Studies
R. Performance Approaches
Kerins, Annabelle
Year: 2004
Complete Citation:
Kerins, Annabelle. “This Weekend: Queens Edition 1.” Newsday, January 23, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kerman, Joseph
Year: 1985
Complete Citation:
Kerman, Joseph. Listen. Third Brief Edition. Waco, TX: Worth, 1985.Notes: For listening studies, Kerman uses “The Rockstrewn Hills Join in the People's Outdoor Meeting” from Orchestral Set No. 2.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Kerman, Joseph and Gary Tomlinson
Year: 2015
Complete Citation:
Kerman, Joseph and Gary Tomlinson. “The First American Modernist: Ives.” In Listen. Boston, MA: Bedford/St. Martin's, 2015.Source: Chapter/Section in Book
VI. Topical Studies
L. Ives and America
