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Bibliography

Kerner, Leighton

Year: 1988

Complete Citation:

Kerner, Leighton. “Ives in the Balance (American Music Festival).” Village Voice, June 7, 1988, sec. 33, 82.

Notes:

Discusses the composition Johnny Poe.

Source: Newspaper

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Year: 1991

Complete Citation:

Kerner, Leighton. “National Moods.” Village Voice 36, December 24, 1991, 116.

Notes:

Discusses Robert Browning Overture.

Source: Newspaper

IV. Individual Studies by Genre
A. Orchestral and Band Works

Year: 1995

Complete Citation:

Kerner, Leighton. “Brave New World.” Village Voice 40. June 6, 1995: 72.

Notes:

Regarding The Unanswered Question.

Source: Newspaper

V. General Music Studies
C. Other

Kerr, Harrison

Year: 1932

Complete Citation:

Kerr, Harrison. “Die Gurre-lieder and the Festival at Yaddo.” Trend 1 (June-August, 1932): 57.

Source: Journal

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 1933

Complete Citation:

Kerr, Harrison. “Creative Music.” Trend 2 (April-June 1933): 87-89.

Source: Journal

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 1933

Complete Citation:

Kerr, Harrison. “The League of Composers Presents—Rather Tardily—Mr. Florent Schmitt.” Trend 1 (January-March 1933): 142.

Source: Journal

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 1933

Complete Citation:

Kerr, Harrison. Trend 2 (April-June 1933): 36-37.

Source: Journal

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 1934

Complete Citation:

Kerr, Harrison. “Creative Music and the New School.” Trend (March-April 1934): 89.

Source: Journal

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 1934

Complete Citation:

Kerr, Harrison. “Contemporary Music in New York. I—The Pan-Ameri-cans.” Trend 2/3 (May-June 1934): 145.

Source: Journal

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kerr, Hugh H.

Year: 1974

Complete Citation:

Kerr, Hugh H. “Report from Miami: Ives Centennial Festival, 1974-1975.” Current Musicology 18 (1974): 41-42.

Source: Journal

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Kerwin, Bud, choreographer

Year: 1974

Complete Citation:

Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.

Source: Performance (ballet)

XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kesson, Jane Haines

Year: 1950

Complete Citation:

Kesson, Jane Haines. “Four contemporary American composers.” M.A. thesis, University of Pennsylvania, 1950.

Source: M.A. Thesis

VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Keys, Ivor

Year: 1952

Complete Citation:

Keys, Ivor. “Sonata No. 3.” Music & Letters 33, no. 1 (January 1952): 91-92.

Source: Journal

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Khittl, Christoph

Year: 1995

Complete Citation:

Khittl, Christoph. “‘Jenseits im Diesseits’: Ubungen zur Rezeptionsasthetik und Rezeptionsdidaktik.” Polyaisthesis 3 (1995): 98-106.

Source: Journal

VI. Topical Studies
S. Reception Studies and Related Scholarship

Year: 2008

Complete Citation:

Khittl, Christoph. “Charles Ives (1874-1954), “The unanswered question”: Annäherungen, Aneigungen und Bedeutungskonstruktionen in der Primar- und Sekundarstufe I.” In Ideen und Arbeitsmaterialien für den Musikunterricht, 29 (2008). Konstanz, Germany: VDS-BW, 2008.

Source: Journal

IV. Individual Studies by Genre
A. Orchestral and Band Works

Kilian, Paul Henry

Year: 1975

Complete Citation:

Kilian, Paul Henry. “An historical & analytical study of Three Places in New England by Charles Ives.” M.A. thesis, California State University, Los Angeles, 1975.

Source: M.A. Thesis

VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Kilpatrick, Barry

Year: 2001

Complete Citation:

Kilpatrick, Barry. ““Songs, Hymns, & Portraits”: Maconchy, Fletcher, Schuman, Ives, Stucky, Copland.” American Record Guide, Vol. 64, No. 6 (2001): 240-241.

Source: Magazine

D. Reviews

Kimball, Carol

Year: 2006

Complete Citation:

Kimball, Carol. “Charles Ives (1874-1954).” In A guide to art song style and literature. Milwaukee, WI: Hal Leonard, 2006.

Source: Chapter in Book

IV. Individual Studies by Genre
E. Songs

Kimball, Warren

Year: 2016

Complete Citation:

Kimball, Warren. “Review of Mad Music: Charles Ives, the Nostalgic Rebel.” American Music, vol. 34, no. 3, 2016, pp. 402-404.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Kimberley, Nick

Year: 2005

Complete Citation:

Kimberley, Nick. “Reviews: Vocal - Gerald Finley on the Songs of Charles Ives.” Gramophone, Vol. 83 (2005): 77.

Source: Magazine

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews