Image
Complete Citation:
Koch, Gerhard R. “Charles Ives. Musik als reale Utopie.” HiFi-Stereophonie 12/7 (July 1973): 689-698.
Bibliography
Genres
Koch, Gerhard R.
Year: 1973
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Year: 1975
Complete Citation:
Koch, Gerhard R. “‘Das himmlische Land’ von Ives.” Musica 29, no. 3 (1975): 230-233.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1975
Complete Citation:
Koch, Gerhard R. “Das Pardies liegt hinter Danbury.” Frankfurter Allgemeine Zeitung für Deutschland, February 19, 1975, 23.Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Kohs, Ellis B.
Year: 1952
Complete Citation:
Kohs, Ellis B. “Violin Sonata No. 2.” Notes 9, no. 2 (March 1952): 329-330.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Kolczynski, C. A.
Year: 2009
Complete Citation:
Kolczynski, C.A. Review of A Charles Ives Omnibus. Choice, vol. 47 (2009).Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Kolleritsch, Otto
Year: 1987
Complete Citation:
Kolleritsch, Otto. Entgrenzungen in der Musik. Studien zur Wertungsforschung, Vol. 18. Vienna, Austria: Universal Edition, 1987.Source: Book
V. General Music Studies
Kolodin, Irving
Year: 1932
Complete Citation:
Kolodin, Irving. “American Music.” Sun (New York, NY). November 5, 1932, 7.Source: Newspaper
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1934
Complete Citation:
Kolodin, Irving. “American Composers and the Phonograph.” Modern Music 1 (March--April 1934) 1/3: 128--133.Source: Journal
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Year: 1939
Complete Citation:
Kolodin, Irving. “Pianist Plays Work by Ives.” New York Sun, January 21, 1939.Source: Newspaper/Book
Reprints:
Kolodin, Irving. “Pianist Plays Work by Ives.” In <i>Charles Ives and His World</i>, 321-322. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Kolodin, Irving. “Music to My Ears.” The Saturday Review 48, no. 20 (May 15, 1965): 32.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1965
Complete Citation:
Kolodin, Irving. “A Dream of a Dream—New Ives Hence.” Saturday Review, May 15, 1965.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1967
Complete Citation:
Kolodin, Irving. “Are My Ears on Wrong?” Vogue 1967, p. 6-7, 23, 25.Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1972
Complete Citation:
Kolodin, Irving. “Ives by His Prophet. Bernard Herrmann.” The Saturday Review 55, no. 37 (September 9, 1972): 57-58.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kolosick, J. Timothy
Year: 1981
Complete Citation:
Kolosick, J. Timothy. “A Computer-Assisted, Set-Theoretic Investigation of Vertical Simultaneities in Selected Piano Compositions by Charles E. Ives.” Ph.D. diss., University of Wisconsin, Madison, 1981.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Kolter, Horst
Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Konold, Wulf
Year: 1972
Complete Citation:
Konold, Wulf. “Neue Music in der Neuen Welt: Der Komponist Charles Ives.” Musica 26/3 (May-June 1972): 239-244.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1972
Complete Citation:
Konold, Wulf. “Schallplatten: Werke von Charles Ives.” Musica 26/3 (May-June 1972): 296-301.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1972
Complete Citation:
Konold, Wulf. “Charles Ives—eine Nachlese.” Musica 26/4 (July-August 1972): 410-411.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Konold, Wulf. “Arkadien in Neuengland: Zum hundersten Geburtstag von Charles Edward Ives.” Musica 28/5 (1974): 468-469.Source: Journal
V. General Music Studies
Koob, Lindsay
Year: 2004
Complete Citation:
Koob, Lindsay. “Guide to Records: Ives - “The Celestial Country; Silence Unaccompanied.” American Record Guide, Vol. 67, No. 2 (2004): 139-140.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews