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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kopetz, Barry E.

Year: 1991
Complete Citation:
Kopetz, Barry E. “Charles Ives's Variations on ‘America’: An Interpretive Analysis.” Instrumentalist 45/9 (April 1991): 20-28, 75-79. 
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kopp, Christina Lee

Year: 2006
Complete Citation:
Kopp, Christina Lee. “‘A School of New Men’: Composing an Ameri- can Identity in the Early Twentieth Century.” Ph.D. diss., Bos-ton University, 2006.
Notes:

Discusses compositions of Aaron Copland, Edward MacDowell, Arthur Farwell, and Charles Ives.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Koppenhaver, Allen J.

Year: 1975
Complete Citation:
Koppenhaver, Allen J. “Charles Ives, Winslow Homer, and Thomas Eakins: Variations on America.” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 381-393.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kosman, Joshua

Year: 1991
Complete Citation:
Kosman, Joshua. “Conductor Thomas Juggles a Dazzling Ives Fourth.” San Francisco Chronicle, November 22, 1991: C4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Kosman, Joshua. “Symphony Traverses Ives’ Emotional Terrain.” San Fran-cisco Chronicle, October 2, 199,: B1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2006
Complete Citation:
Kosman, Joshua. “Symphony premieres Adams’s splendid Ives.” In The John Adams reader: essential writings on an American composer, edited by Thomas May, 376-378. Pompton Plains, NJ: Amadeus, 2006.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kostelanetz, André and Gloria Hammond

Year: 1981
Complete Citation:
Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.
Notes:

Credits Leopold Stokowski as being “the first to play Gustav Mahler in the U. S., to give the American composer Charles Ives a hearing, and to introduce Le sacre du printemps here.”

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kostelanetz, Richard

Year: 1983
Complete Citation:
Kostelanetz, Richard. American imaginations: Charles Ives, Gertrude Stein, John Cage, Merce Cunningham, Robert Wilson. Series-Internationaler Merve-Diskurs, 111. Berlin, Germany: Merve-Verlag, 1983.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1989
Complete Citation:
Kostelanetz, Richard. “Charles Ives (1967).” In On innovative music(Ian)s. New York, NY: Limelight Editions, 1989.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1996
Complete Citation:
Kostelanetz, Richard. John Cage (ex)plain(ed), 8. New York, NY: Schirmer Books, 1996.
Notes:

Traces lineage from Varèse to Ives to Cage), 26 <i>(The Unan-swered Question</i>), 52, 93, 104 (compares Cage's HPSCHD to Ives's Symphony No. 4 and <i>Universe Symphony), </i>143.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Copland, Aaron. Aaron Copland: A Reader, edited by Richard Kos-telanetz, 151-157. New York, NY: Routledge, 2004.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2008
Complete Citation:
Kostelanetz, Richard. “Proposal for a short book on Charles Ives and the American Imagination.” RichardKostelanetz.com. 2008.
Source: Online Article
II. Reference Materials
F. Selected Archival Materials

Kostelanetz, Richard, ed.

Complete Citation:
“Interju med John Cage.” Translated by Joel Eric Suben. Nutida Musik (1987-1988) 21/1.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1970
Complete Citation:
Kostelanetz, Richard, ed. John Cage, 12, 25, 100-102, 130, 162-165, 167, 177, 202, 204. New York, NY: Praeger Publishers, 1970.
Source: Book
Reprints:

Kostelanetz, Richard, ed. <i>John Cage</i>. London, United Kingdom: Allen Lane, 1971. * Kostelanetz, Richard, ed. <i>John Cage</i>. Cologne, Germany: Dumont Schauberg, 1973.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
Kostelanetz, Richard, ed. “Conversing with Cage.” New York, NY: Limelight, 1988, 39-40, 47 and passim.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kozinn, Allan

Year: 1989
Complete Citation:
Kozinn, Allan. “The Organ Works Charles Ives Wrote or Played.” The New York Times, October 26, 1989, sec. C, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Kozinn, Allan. “Choral Group And Ives’s Radicalism.” New York Times, November 14, 1990, sec. C, 25.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Kozinn, Allan. “On Ives, the Arguments Continue.” The New York Times, February 28, 1996.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
Kozinn, Allan. “Composer Wins Freedom, but It's Temporary.” The New York Times, January 15 1998.
Source: Newspaper
VI. Topical Studies
V. Awards
Year: 1998
Complete Citation:
Kozinn, Allan. “Honoring Bernstein and His American Roots.” The New York Times. 1998: E5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances