decorative banner image

Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Perry, Rosalie Sandra

Year: 1969
Complete Citation:
Perry, Rosalie Sandra. “Charles Ives as a progressive.” M.A. Thesis, University of Texas at Austin, 1969.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1971
Complete Citation:
Perry, Rosalie Sandra. “Charles Ives and American Culture.” Ph.D. diss., University of Texas at Austin, 1971.
Source: Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1974
Complete Citation:
Perry, Rosalie Sandra. Charles Ives and the American Mind. Kent, OH: Kent State University Press, 1974.
Source: Book
III. Book-Length Studies
B. Other

Perrin, Peter

Year: 1975
Complete Citation:
Perrin, Peter. “The Composer as Historian.” Arts Canada 198-199 (June 1975): 58.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Pershchetti, Vincent

Year: 1953
Complete Citation:
Pershchetti, Vincent. “Review of ‘Largo for Violin, Clarinet, and Piano.’” Music Library Association Notes, Vol. 11, No. 6 (December 1953).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Persichetti, Vincent

Year: 1953
Complete Citation:
Persichetti, Vincent. Review of “Largo, for Violin, Clarinet, Piano.” Notes 11, no. 6 (December 1953): 157.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Pestalozza, Luigi

Year: 2000
Complete Citation:
Pestalozza, Luigi. “Busoni e Ives.” Musica/Realtar 21/61 (March 2000): 133-151.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Peters, Frank

Year: 1969
Complete Citation:
Peters, Frank. “Time Works for Charles Ives.” St. Louis Post--Dispatch, June 22, 1969, sec. B, 5.
Notes:

Second of two general articles has some additional bi-ography. Discusses some songs (Majority, Vita, Son of a Gambolier, Over All the Treetops) and some recordings.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Peters, Frank. “The Insurance Man: Composer.” St. Louis Post--Dis-patch, June 15, 1969, sec. C, 5.
Notes:

First of two general articles. A review of the Cowells’ biography with quotations from it.

Source: Newspaper
VI. Topical Studies
D. Insurance

Peters, P.

Year: 1985
Complete Citation:
Peters, P. “Als een rijzweep in een automobiel: een cultuur sociologische analyse van de sociale en politieke theorieën van Charles E. Ives (1874-1954).” Groningen, Netherlands: 1985.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Peterson, Melody

Year: 1970
Complete Citation:
Peterson, Melody. “Feuerstein Specializes in Ives Songs in Recital.” Los Angeles Times, October 15, 1970, G25.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Peterson, Thomas Elliott

Year: 1967
Complete Citation:
Peterson, Thomas Elliott. “The Music of Carl Ruggles in Relation to the 20th Century.” In The Music of Carl Ruggles. Ph.D. diss., University of Washington, 1967.
Notes:

Chapter 8 “The Music of Carl Ruggles in Relation to the 20th Century” compares Ruggles to Ives.

Source: Chapter in Ph.D. Disser-tation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Petit, Raymond

Year: 1931
Complete Citation:
Petit, Raymond. “Concerts de musique Americaine.” La Revue Musicale, July-August 1931, 245-246.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Pettitt, Stephen

Year: 1931
Complete Citation:
Pettitt, Stephen. “Charles Ives: Final 7 Edition.” Sunday Times (London, England), May 9, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Pettitt, Stephen. “Emily, Ives and an Everchanging Wind: A Edition.” Standard (London, England), May 12, 2003.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Petzet, John M.

Year: 2011
Complete Citation:
Petzet, John M. “Matthew Harris’s Shakespeare Songs The Bard's Lyrics Meet American Popular Music.” Choral Journal, Vol. 52, No. 1 (2011): 34-49.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Peyser, Herbert F.

Year: 1932
Complete Citation:
Peyser, Herbert F. “Music in Berlin.” The New York Times. April 17, 1932, sec. 8: 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Peyser, Joan

Year: 1971
Complete Citation:
Joan Peyser. The New Music: The Sense behind the Sound. New York, NY: Delacorte, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Pfaffman, Scott

Year: 1994
Complete Citation:
Pfaffman, Scott. Wooden sculpture of Ives and his father. Sculpture, 1994. Brooklyn, NY Bear’s Community Garden. In “Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23/2 (Spring 1994): 11.
Source: Sculpture
Reprints:

Publication in Institute for Studies in American Music Newsletter<i> </i>includes a letter from Siegmund Levarie with a photograph by Ray Allen.

XVI. Photographs and Artwork
B. Artwork

Phelps, Thomas

Year: 1997
Complete Citation:
Phelps, Thomas. “‘As I Look Back on These Times’—über Charles Ives und seine Musik in drei Satze.” In Musik/Revolution: Festschrift für Georg Knepler zum 90. Geburststag, edited by Hanns--Werner Heister, 209-240. Volume 2. Hamburg, Germany: Von Bockel Verlag, 1997.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works