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Bibliography

Porter, David H.

Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
David H. Porter. “Don't Pin Him Down.” The New York Times 2, May 23, 2004, 2.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Porter, Ellen Jane Lorenz

Complete Citation:
Porter, Ellen Jane Lorenz. “A Treasure of Camp-Meeting Spirituals.” Ph.D. diss., Union Graduate School, Cincinnati, Ohio, 1978.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Posell, Elsa Z.

Year: 1963
Complete Citation:
Posell, Elsa Z. “Charles Ives.” In American Composers. Boston, MA: Houghton Mifflin, 1963.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Poteete, Robert A.

Year: 1954
Complete Citation:
Poteete, Robert A. “Jew's Harp Call Draws 24 Players.” New York Herald Tribune, February 17, 1954, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Potter, Hugh

Year: 1970
Complete Citation:
Potter, Hugh. “Paul Rosenfeld: Criticism and Prophesy.” American Quarterly 22/1 (Spring 1970): 82-94.
Notes:

Quotes from Rosenfeld's review of the Concord Sonata. Adds that “Rosenfeld's great enthusiasm for the music of Charles Ives was partly attributed to Ives’ interest in American subject matter and his use of native themes.”

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Potter, Keith

Year: 1998
Complete Citation:
Potter, Keith. “Classical: Sadly Second Rate Charles Ives Bournemouth SO Poole: Final Edition.” The Independent, December 15, 1998.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Pouter, D. G.

Year: 1997
Complete Citation:
Pouter, D.G. “Definitely maybe: Definitive text of Charles Ives’s Memos.” The Musical Times, Vol. 138, No. 1853 (1997): 11-18.
Source: Journal (book review?)
III. Book-Length Studies
C. Book Reviews

Pouzzi, Raffaele, and Louise Forster

Year: 1988
Complete Citation:
Pozzi, Raffaele, and Louise Forster. “Elliott Carter Talking.” Tempo, no. 167 (1988): 14-17.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Powell, Larson

Year: 2007
Complete Citation:
Powell, Larson. “Die Zukunft in Ruinen: Versüch Über Charles Ives. 1-3.” Musik & Ästhetik 11/41 (January 2007): 5-26 and 11/42 (April 2007): 5-21.
Source: Journal
I. Ives as Author

Pozzi, Raffaele

Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Prausnitz, Frederik

Year: 1975
Complete Citation:
Prausnitz, Frederik. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Tempo 114 (September 1975): 28-30.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Prausnitz, Frederik. “Reviews of — Charles Ives Remembered: An Oral History by Vivian Perlis. Charles Ives: A Portrait by David Wooldridge. Charles Ives and the American Band Tradition by Jonathan Elkus. L’America Musicale di Charles Ives by Gianfranco Vinay.” Tempo, no. 114, 1975, 28-33.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Preissing, Christopher Andrew

Year: 2008
Complete Citation:
Preissing, Christopher Andrew. “Intermedical relationships among component arts in combined art works.” D.M.A. diss., University of Illinois at Urbana-Champaign, 2008.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Preiss, Robin

Year: 2015
Complete Citation:
Preiss, Robin. Modernism and Postmodernism: Review of Charles Ives in the Mirror: American Histories of an Iconic Composer, by David C. Paul. Notes, Vol. 71, No. 3 (2015): 507-508.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Prendergast, Mark J.

Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Price, Jonathan

Year: 1968
Complete Citation:
Price, Jonathan. “The Rough Way up the Mountain.” Yale Alumni Magazine (April 1968): 28-37.
Source: Journal
Reprints:

Price, Jonathan. “The Rough Way up the Mountain.” <i>Music Educator's Journal</i> 55/2 (October 1968): 38-45.

VI. Topical Studies
O. Ives and Yale
Year: 1968
Complete Citation:
Price, Jonathan. “The Rough Way Up the Mountain.” Yale Alumni Maga-zine (April 1968).
Source: Poem in Magazine
Reprints:

Price, Jonathan. “The Rough Way Up the Mountain.” <i>Music Educators Journal</i> 55/2 (October 1968): 38--45.

XIII. Ives in Literature
A. Poetry

Priest, Charles T.

Year: 2008
Complete Citation:
Priest, Charles T. “Regionalism in Selected Musical Works of Charles Faulkner Bryan (1911–1955).” D.M.A. diss., The Southern Baptist Theological Seminary, 2008.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Principe, Quirino

Year: 1997
Complete Citation:
Principe, Quirino. “Geniale e «impuro»,” review of Prima della Sonata, by Charles Ives. II Sole (September 14, 1997): 37.
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews