Image
decorative banner image

Bibliography

Scharnhorst, Gary

Year: 1988
Complete Citation:
Scharnhorst, Gary. “From Soldier to Saint: Robert Gould Shaw and the Rhetoric of Racial Justice.” Civil War History 34 (December 1988): 321.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Schatt, Peter W.

Year: 1991
Complete Citation:
Schatt, Peter W. “Charles Ives…‘Central Park in the Dark.’ Sekundarstufe II.” Musik in der Schule 2/7 (1991): 47.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Scheffer, Frank, producer and director

Year: 2004
Complete Citation:
Frank Scheffer, producer and director. Elliott Carter: Labryinth of Time. Allegri Film/ldeale Audience International, DVD 9DS17, 2004. Color and black and white, 90 minutes. Includes excerpts from The Unanswered Question and Concord Sonata when Carter discusses Ives. Later an ex-cerpt from Figment No. 2— Remembering Mr. Ives {El52} is played.
Source: DVD
B. Films

Scheinin, Richard

Year: 2014
Complete Citation:
Scheinin, Richard. “Review: Ives Quartet Deconstructs Henry Cowell's ‘Mosaic.’” Oakland Tribune, February 22, 2014.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schemanske, Joyce Anne

Year: 1983
Complete Citation:
Schemanske, Joyce Anne. “The organ music of William Bolcom as it reflects the musical legacy of Charles Ives.” D. Mus. Thesis, Northwestern University, 1983.
Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Scherer, Barrymore Laurence

Year: 1996
Complete Citation:
Scherer, Barrymore Laurence. “Charles Ives: In Concert and Context.” Wall Street Journal, August 15, 1996, sec. A, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Scherer, Barrymore Laurence. “Charles Ives: In Con-cert and Context,” review of Between the Bandstand and the Concert Hall: Ives and His Sources, Charles Ives and His World Festival. Wall Street Journal (1996 August 15) A, 8.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. “New England Iconoclast: Charles Ives.” In A history of American classical music. Naxos Books, 2012.
Source: Book
VI. Topical Studies
L. Ives and America
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. “New England Icono-clast: Charles Ives.” In A History of American Classical Music, 66-69. Naperville, IL: Sourcebooks, 2007.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. New England Iconoclast: Charles Ives. Naperville, IL: Sourcebooks, 2007.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Schermer, Richard

Year: 1980
Complete Citation:
Schermer, Richard. “The Aesthetics of Charles Ives in Relation to his ‘String Quartet No. 2’.” M.A. thesis, California State University, 1980.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Scheuer, Philip K.

Year: 1964
Complete Citation:
Scheuer, Philip K. “Movies and the Sound of Great Music.” Los Angeles Times, January 26, 1964, A2.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schevill, James Erwin

Year: 1996
Complete Citation:
Schevill, James Erwin. “Hats and Ears for Charles Ives.” In The Complete American Fantasies. Athens, OH: Swallow Press/Ohio University Press, 1996: 17--19.
Source: Poem in Book
Reprints:

Schevill, James Erwin. “Hats and Ears for Charles Ives.” In <i>New and Selected Poems</i>, 103-105. Athens, OH: Swallow Press/Ohio University Press, 2000.

XIII. Ives in Literature
A. Poetry

Schiff, David

Year: 1983
Complete Citation:
Schiff, David. The Music of Elliot Carter, 17-19 and passim. London, United Kingdom: Eulenberg Books, 1983.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
Schiff, David. “Composers on the Couch: Does It Help Anyone to Psychoanalyze a Composer’s Work?” Atlantic Monthly 273/1, January 1994, 106-108, 110, 112-116, 118-122.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
David Schiff. "The Many Faces of Ives." Atlantic Month-ly (1997 January) 279/1: 84-87. General article with comments on the Bard Festival.
Source: Magazine
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1997
Complete Citation:
Schiff, David. “The Many Faces of Ives.” Atlantic Monthly 279/1, January 1997, 84-87.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Year: 2009
Complete Citation:
Schiff, David. “Ives’s Ears.” Nation 288, no. 1 (January 5, 2009): 30--33.
Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Year: 2018
Complete Citation:
Schiff, David. Carter. New York, New York: Oxford University Press, 2018.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schiff, David, Stuart Feder, Tom Owens, and Jan Swafford

Year: 1996
Complete Citation:
Schiff, David, Stuart Feder, Tom Owens, and Jan Swafford. “Ives the Person [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
V. General Music Studies
A. Short Biographies and Profiles