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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

no author listed

Year: 1988
Complete Citation:
Kölner Festival: Charles Ives und die amerikanische Musik. Cologne, Ger-many, 1988.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1988
Complete Citation:
“New York: Dance Notation Bureau, Incorporated.” Dance Not-ation Journal 3/1 (December 1988).
Notes:

Labanotated

Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1988
Complete Citation:
Internationale Symposium von Charles Ives und die amerikanische Musiktraditionen bis zu Gegenwart, sponsored by the Westdeutschen Rundfunk, the University of Cologne, and the City of Duisburg, Ger-many (February 24-27, 1988).
Source: Conference
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1988
Complete Citation:
“Wege ins Unvertraute: neun Monate Charles Ives und die Amerikanische Musik in Duisburg.” Musikhandel 39/6 (1988): 301.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1988
Complete Citation:
“Stages of Life, from Ives and the City Ballet: Nassau and Suffolk Edition.” Newsday, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1989
Complete Citation:
Fata morgana (1989); for Jerome Robbins Archives. Music: The Pond; The Rainbow,Tone Roads No. 1; Tone Roads No. 3; Like a Sick Eagle; and "From Hanover Square" from Orchestral Set No. 2.

Prf: 1989 May 19-14: New York; Joyce Theater.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1989
Complete Citation:
Review of Charles Ives, by Wolfgang Rathert. Neue Zeitschrift fur Musik 151 (June 1990): 52-53.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1989
Complete Citation:
Cum Notis Variorum (March 1989) 130: 9-10.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1989
Complete Citation:
Charles Ives: A Bio-Bibliography. Choice, vol. 26, 1989.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1989
Complete Citation:
Review of Charles Ives, by Wolfgang Rathert. Die Musikforschung 45/4 (1992): 436-437.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1990
Complete Citation:
Sonneck Society for American Music Bulletin 16/1 (1990): 36.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1990
Complete Citation:
“Correspondence.” Perspectives of New Music, vol. 28, no. 2 (1990): 331-334.
Source: Journal
V. General Music Studies
C. Other
Year: 1991
Complete Citation:
Review of In Re Con Moto Et Al: Experimentalism in the Works of Charles Ives (1874-1954), by David Nicholls. The Musical Quarterly (1991).
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1991
Complete Citation:
Review of In Re Con Moto Et Al: Experimentalism in the Works of Charles Ives (1874-1954), by David Nicholls. Notes 48/1 (1991): 122-123.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1991
Complete Citation:
Review of The Charles Ives Tunebook, by Clayton W. Henderson. Institute for the Study of American Music Newsletter 20/2 (1991): 7.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1991
Complete Citation:
Review of The Charles Ives Tunebook, by Clayton W. Henderson. Sonneck Society for American Music Bulletin 17/2 (1991): 85-86.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1991
Complete Citation:
Ives-Copland Festival. Monfort Auditorium, Hensel- Phelps Auditorium, University of Northern Colorado, Greeley, CO, October 28--30, 1991.
Year: 1991
Complete Citation:
Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Notes:

[Partially funded by a Project Grant from Sigma Alpha Iota Philanthropies, Inc.] Choral Concert / Film Documentary: A Good Dissonance Like a Man {E034}.

Source: Festival/Conference
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1991
Complete Citation:
“Up Front.” Musical America (1991).
Notes:

Regarding a bill in the Connecticut Legislature to name Charles Ives as State Composer of Connecticut. After debate, Ives was named Composer Laureate for the first year.

Source: Journal
VI. Topical Studies
V. Awards
Year: 1991
Complete Citation:
“Charles Ives, by.” Musical America 111 (1991): 15.
Source: Journal
I. Ives as Author