Image
Complete Citation:
“Gay Composers; Behind Ives's Harmonic Clashes: Letter.” The New York Times, July 10, 1994.
Bibliography
Genres
no author listed
Year: 1994
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Notes:
A weekend festival exploring Transcendentalism and music.
Source: Festival/Conference
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Year: 1994
Complete Citation:
Charles E. Ives (1874-1954): Ein Verzeichnis der in Öffentlichen Musikbibliotheken der Bundesrepublik Deutschland vorhandenen Werke Udsnit af; Forum Musikbibliothek; 1994: 1. Berlin, Germany: Deutsches Bibliotheksinstitut 1994.Source: Book
II. Reference Materials
A. Bibliographies
A. Bibliographies
Year: 1995
Complete Citation:
Rhein, John von. “Charles Ives and Paul Creston, American Originals: Chicagoland Final Edition.” Chicago Tribune, October 22, 1995.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
“Single Play; Charles Ives and Paul Creston: Second Symphonies Detroit Symphony / Neeme Jarvi (Chandos CHAN 9390). John Taverner: Western Wind Mass, etc Tallis Scholars, Directed by Peter Phillips (Gimell CDGIM 995).” The Independent, September 1, 1995.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1995
Complete Citation:
“An American Original; Music.” Sunday Times, December 31, 1995.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1995
Complete Citation:
“CD Review.” The Sun-Herald, October 15, 1995, 136.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1996
Complete Citation:
Review of Modern American Music from Charles Ives to the Mini-malist. 20th Century Music (1998 June) 5: 22.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1996
Complete Citation:
The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.Notes:
A program booklet outlines the concerts, panel discussions, films, and lectures. A separate booklet supplies texts and performers biographies.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Year: 1996
Complete Citation:
“Music Live - Finding The Answer.” Choir & Organ, Vol. 4, No. 1 (1996): 42.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1996
Complete Citation:
“Ives at Bard.” Piano & Keyboard 182 (September/Oc-tober 1996): 13.Source: Journal
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1996
Complete Citation:
Charles Ives and His World. Lincoln Center, Alice Tully Hall, New York, NY, November 2-3, 1996.Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Year: 1996
Complete Citation:
Charles Ives and His World. Annandale--on--Hudson, NY, Bard College, August 9--11, 16--18, 1996.Notes:
Seventh in Bard College’s annual “Rediscoveries” series.
Year: 1996
Complete Citation:
The Unanswered Question. St. Giles Church, Leaden- Hall Market, Barbican Centre, London, United Kingdom, January 19-21, 1996.Notes:
Concerts, panel discussions, films, and lectures.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Year: 1996
Complete Citation:
“Research Report.” The Choral Journal 37, no. 3 (October 1996): 49.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Notes:
Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).
Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1996
Complete Citation:
Reviews: Music & Letters 78/4 (1997): 616-617.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1996
Complete Citation:
“Linn's 1997 U. S. Stamp Program.” Linn's Stamp News (October 28, 1996): 34.Source: Postage Stamp
XVI. Photographs and Artwork
C. Other
C. Other
Year: 1996
Complete Citation:
Review of Charles Ives: A Life with Music, by Jan Swafford. American Music Teacher 46/6 (1997): 88--89.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1996
Complete Citation:
Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Choice, vol. 34.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews