Image
Complete Citation:
Cowell, Henry. “Music.” Americana Annual: An Encyclopedia of Current Events (1934): 393.
Bibliography
Genres
Cowell, Henry
Year: 1934
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1934
Complete Citation:
Cowell, Henry. “Recent Creative Tendencies in American Music.” Sovietskaya Muzyka [Soviet Music] VII (June 1934): 3-19.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1935
Complete Citation:
Cowell, Henry. “Music.” In Americana Annual: An Encyclopedia of Current Events (1935), 473-474.Source: Encyclopedia
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1936
Complete Citation:
Cowell, Henry. “Music.” In Americana Annual: An Encyclopedia of Current Events (1936), 474.Source: Encyclopedia
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1948
Complete Citation:
Cowell, Henry. “Charles Ives: Second Pianoforte Sonata, ‘Concord. Mass., 1840-1860.’ Second edition. [Review of Second Pianoforte Sonata by Charles Ives.]” Notes 5/3 (June 1948): 413.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1949
Complete Citation:
Cowell, Henry. “Current Chronicle.” The Musical Quarterly. (July 1949) 35/3: 458-462.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1951
Complete Citation:
Cowell, Henry. “Review of Second Symphony, First Performance.” Musical Quarterly 37/3 (July 1951): 399-402. Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1952
Complete Citation:
Cowell, Henry. “On Programming American Music.” Music Clubs Magazine 31/5 (May 1952): 23.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1953
Complete Citation:
Cowell, Henry. “Violin Sonatas Nos. 1 and 3.” Musical Quarterly 39/4 (April 1953): 323-325.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1953
Complete Citation:
Cowell, Henry. "United States, New York.” Music Quarterly 39/3 (July 1953): 426-432.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1954
Complete Citation:
Cowell, Henry. “The Music and Motives of Charles Ives." Center 1 (August-September 1954): 2-5.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1955
Complete Citation:
Cowell, Henry. “The Flavour of American Music.” Score and I.M.A. Magazine 12 (June 1955): 5-8.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1955
Complete Citation:
Cowell, Henry. “Ivesiana.” Musical Quarterly 41/1 (January 1955): 85-89.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 1956
Complete Citation:
Cowell, Henry. “Symphony No. 3.” Musical Quarterly 42/1 (January 1956): 122-123.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1963
Complete Citation:
Cowell, Henry. “Homage to Charles Ives.” In Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters, No. 13 (1963): 263.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Cowell, Henry. Essential Cowell: selected writings on music. Edited by Dick Higgins. Kingston, NY: Documentext, 2001.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cowell, Henry.
Year: 1949
Complete Citation:
Cowell, Henry. “Review of Three-Page Sonata.” The Musical Quarterly vol. 35 (1949).Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Cowell, Henry and Nicolas Slonimsky
Year: 1931
Complete Citation:
Cowell, Henry and Nicolas Slonimsky. Program Notes. Pan American Concert, Paris, June 6, 1931.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Cowell, Henry, and Richard F. Goldman
Year: 1949
Complete Citation:
Cowell, Henry, and Richard F. Goldman. "Current Chronicle: New York.” Musical Quarterly 35 (1949): 451-465.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Cowell, Henry and Sidney
Year: 1955
Complete Citation:
Cowell, Henry and Sidney. Charles Ives and His Music. New York, NY: Oxford University Press, 1955.Notes:
From 1969 Second Edition: Additions include “Some Corrections and Amplifications,” “List of Published Compositions,” “List of Re-corded Compositions,” and “Additional Entries” ap-pended to the bibliography. * From 1971 Spanish translation: Prologue by Juan Carlos Paz especially for this edition (p. 5-22) entitled “Charles E. Ives, un fenomeno musical. ... El musico creador mas potente y personal que haya surgido en America.” * From 1983 Third Edition: Includes a reprint of “Ivesiana: ‘More Than Something Just Usual’” as a Foreword, a “Supplementary List of Published Compositions,” a “Supplementary List of Recorded Compositions,” and a “Supplementary Bibliography.”
Source: Book
Reprints:
Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1966. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. Second Edition. New York, NY: Oxford University Press, 1969. * Cowell, Henry and Sidney. <i>Charles Ives and His Music </i>[Charles Ives y su musica]. Translated to Spanish by Floreal Mazia. Argentina: Rodolfo Alonso Editor, 1971. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1974. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. Translated to Polish by Andrzej Darowski. Krakow, Poland: Polskie Wydawnictwo Muzyczne, 1982. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Da Capo Press, 1983.
III. Book-Length Studies
A. Biographies
A. Biographies