Image
Complete Citation:
Copland, Aaron. Music and Imagination: The Charles Eliot Norton Lectures at Harvard University, 1951-1952, 99, 111-114. Cambridge, MA: Harvard University Press, 1952.
Bibliography
Genres
Copland, Aaron
Year: 1952
Source: Book
Reprints:
Copland, Aaron. <i>Music and Imagination: The Charles Eliot Norton Lectures at Harvard University, 1951-1952</i>.<i> </i>New York, NY: New American Library Mentor Book, 1959. * Copland, Aaron. <i>Music and Imagination </i>[Musica e Imaginación]. Buenos Aires, Argentina: Emecé Editores, 1955.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Copland, Aaron. “The Composer in Industrial America.” In Music and Imagination: The Charles Elliott Norton Lectures, 1951--1952, 96--111. Cambridge, United Kingdom: Harvard University Press, 1952.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1955
Complete Citation:
Copland, Aaron. “Modern Music: Fresh and Different.” New York Times Magazine (March 13, 1955): 15, 60, 62.Source: Magazine
Reprints:
Copland, Aaron. “‘Are My Ears on Wrong?’ A Polemic.” In <i>Copland on Music</i>, 253-260. New York, NY: Doubleday, 1960. New York: W. W. Norton, 1963.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1958
Complete Citation:
Copland, Aaron. “The Twentieth Century: Reorientation and Experi-ment.” Music and Western Man, edited by Peter Garvie, 285-286. London, United Kingdom: J.M. Dent, 1958.Notes:
A brief overview of Ives, with brief discography.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1960
Complete Citation:
Copland, Aaron. “A Businessman Who Wrote Music on Sundays.” Music and Musicians 9/18 (November 1960).Source: Journal
VI. Topical Studies
D. Insurance
D. Insurance
Year: 1963
Complete Citation:
Copland, Aaron. Charles Ives. The Estate of Aaron Copland. 1963.Notes:
Unpublished article for The American People's Encyclopedia. Two typewritten pages from two handwritten pages. There are also four typewritten pages on which Copland ex-panded his ideas on Ives's style.
Source: Unpublished Article
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Year: 1968
Complete Citation:
Copland, Aaron. “The Ives Case.” In The New Music: 1900-1960. New York, NY: W.W. Norton, 1968. Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1972
Complete Citation:
Copland, Aaron. Music and Imagination. Cambridge, MA: Harvard University Press, 1972.Source: Book
V. General Music Studies
C. Other
C. Other
Year: 1975
Complete Citation:
Copland, Aaron. “Night Thoughts (Homage to Ives).” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 295-299.Source: Journal
XIII. Ives in Literature
A. Poetry
A. Poetry
Year: 1975
Complete Citation:
Copland, Aaron. “A Garland for Charles Ives.” Poetry in Review, Spring/Summer 1975, 293-393.Notes:
Includes Copland's Night Thoughts for piano and essays by Elliott Carter, Lou Harrison and others.
Source: Magazine
XIII. Ives in Literature
A. Poetry
A. Poetry
Copland, Aaron and Vivian Perlis
Year: 1984
Complete Citation:
Copland, Aaron, and Vivian Perlis. Copland: 1900 through 1942. New York, NY: St. Mar-tin’s Griffin, 1984.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1989
Complete Citation:
Copland, Aaron and Vivian Perlis. Copland Since 1943. New York, NY: St. Martin's Press, 1989.Notes:
Several Citations for Ives.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Corbett, John
Year: 2009
Complete Citation:
Corbett, John. “Reviews - Theo Bleckmann/Kneebody: “Twelve Songs by Charles Ives.’” Down Beat: Jazz, Blues & Beyond, Vol. 76, No. 5 (2009): 74.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Corcoran, Gary
Year: 1969
Complete Citation:
Corcoran, Gary. “Still More on Ives.” In Letters to the Editor. Instrumentalist 23/10 (May 1969): 18.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Cordes, Joan Kunselman
Year: 1976
Complete Citation:
Cordes, Joan Kunselman. “A new American development in music: some characteristic features extending from the legacy of Charles Ives.” Ph.D Dissertation, The Louisiana State University and Agricultural and Mechanical College, 1976.Source: Ph.D Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Corner, Philip
Year: 1972
Complete Citation:
Corner, Philip. “Thoreau, Charles Ives, and contemporary music.” In Henry David Thoreau: Studies and Commentaries, edited by George Brenner, Paul A. Doyle, and Walter Harding.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Corner, Philip. “Charles Ives.” Soundings: Ives. Ruggles, Varèse (Spring 1974): 135-197.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cornett-Murtada, Vanessa
Year: 2004
Complete Citation:
Cornett-Murtada, Vanessa. “Quotation, revolution, and American culture: the use of folk tunes and the influence of Charles Ives in Frederic Rzewski's North American ballads for solo piano.” D.M.A. Thesis, University of North Carolina at Greensboro, 2004.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Corre, Christian
Year: 1988
Complete Citation:
Corre, Christian. “Ives selon Cage: ou, De la citation a l’indetermination.” Revue d’Esthetique 13-15 (1988): 141.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cott, Jonathan
Year: 1974
Complete Citation:
Cott, Jonathan. “Charles Ives, Musical Inventor.” The New York Times, Octo-ber 20, 1974, sec. D, 21, 26.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles