Image
Complete Citation:
Emmery, Laura, and Elliott Carter. “An American Modernist: Teatime with Elliott Carter.” Tempo, vol. 67, no. 264 (2013): 22-29.
Bibliography
Genres
Emmery, Laura and Elliot Carter
Year: 2013
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Emmerik, Paul van
Complete Citation:
Paul van Emmerik. “Review of Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition.” Notes (March 2000) 56/3: 729.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Emmerson, Simon
Year: 1977
Complete Citation:
Emmerson, Simon. Review of Charles Ives and His America, by Frank R. Rossiter. Music and Musicians 25 (January 1977): 28.Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1979
Complete Citation:
Emmerson, Simon. Review of An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis. Music and Musicians 27 (June 1979): 44.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Emons, Hans
Year: 2017
Complete Citation:
Emons, Hans. Komplizenschaften: zur Beziehung zwischen Musik und Kunst in der amerikanischen Moderne. Berlin, Germany: Frank & Timme, Verlag für wissenschaftliche Literatur, 2017.Source: Book
V. General Music Studies
C. Other
C. Other
Engel, A. Lehman
Year: 1932
Complete Citation:
Engel, A. Lehman. “Music Notes: The Yaddo Festival of American Music.” Symposium III, 4 (October 1932): 495-502.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Engel, Lehman
Year: 1932
Complete Citation:
Engel, Lehman. “Music Notes.” Symposium 3 (October 1932): 495-502.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1973
Complete Citation:
Engel, Lehman. This Bright Day. New York, New York: The Macmillan Company, 1974.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Engen, D. P.
Year: 1976
Complete Citation:
Engen, D. P. “The Choral Psalms of Charles Ives: A Performer's Analysis of Psalm 90.” Church Music (St. Louis) 1 (1976): 20-27.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Englander, Roger, producer/director - Leonard Bernstein, narrator/conductor.
Year: 1961
Complete Citation:
Englander, Roger, producer/director; Bernstein, Leonard, narrator/conductor. “Folk Music in the Concert Hall.” New York, NY: CBS-TV Telecast, April 9, 1961.Notes:
Includes 5th movement from Ives Symphony No. 2.
Source: Telecast
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts
A. Television Broadcasts
Englander, Roger, producer/director; Leonard Bernstein, narrator/conductor
Year: 1961
Complete Citation:
Roger Englander, producer/director; Leonard Bernstein, narrator/con-ductor.. Folk Music in the Concert Hall. Sony Classical Video Music Education, 1993. From CBS-TV telecast, 1961 April 9 {E283}. Also available on DVD. Includes 5th movement from Ives's Symphony No. 2.Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes
C. Videocassettes
English, David
Year: 2001
Complete Citation:
David English. “How Ives Won [Response to the Harmonist].” New Yorker 7 (January 22, 2001).Notes:
Contradicts Ross’s use of the word “failure” in refer-ence to Ives’s career.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
English, David. “How Ives Won [Response to the Harmonist].” The New Yorker 7, January 22, 2001.Notes:
Contradicts Ross’s use of the word “failure” in refer-ence to Ives’s career.
Source: Magazine
VI. Topical Studies
Enke, Heinz
Year: 1967
Complete Citation:
Enke, Heinz. “Charles Ives' "The Unanswered Question.”” In Versuche musikalischer Analysen, edited by Peter Benary. Berlin, Germany: Merseburger Verlag, 1967.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Enke, Heinz. “Charles Ives’ ‘The Unanswered Question’.” In Zur musikalischen Analyse, edited by Gerhard Schumacher, 232-240. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft, 1974.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Epperson, Gordon
Year: 1967
Complete Citation:
Epperson, Gordon. The Musical Symbol, A Study of the Philosophic Theory of Music. New York, New York: Da Capo Press, 1986.Source: Book
V. General Music Studies
C. Other
C. Other
Epstein, Paul
Year: 1996
Complete Citation:
Epstein, Paul. “A Performer’s Note on Ives's First Sonata for Violin and Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 27-28. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Ericson, John Q.
Year: 1988
Complete Citation:
Ericson, John Q. “Ives and the Band March.” Unpublished typescript, 1988.Source: Unpublished typescript.
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Ericson, R.
Year: 1967
Complete Citation:
Ericson, Raymond. “Thompson Sings in Recital Hall: Young Baritone’s Debut has a Well-Chosen Program.” The New York Times, October 31, 1967, 37.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Ericson, Raymond
Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles