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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ewen, David

Year: 1969
Complete Citation:
Ewen, David. “The Eccentrics.” In David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 51-60. New York, NY: Chilton Publishing, 1969.
Notes:

Discusses Quartet No. 2; Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; Symphony No. 2; and Symphony No. 4.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1971
Complete Citation:
Ewen, David. Composers of tomorrow’s music: a non-technical introduction to the musical avant-garde movement. Westport, CT: Greenwood Press, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1971
Complete Citation:
Ewen, David. “Charles Ives.” In Composers of Tomorrow’s Music. New York, NY: Dodd, Mead & Co., 1971, 1-23.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1982
Complete Citation:
Ewen, David. American Composers: A Biographical Dictionary. New York, NY: G.P. Putnam's Sons, 1982: 323-325.
Source: Book
VII. Entries in Larger Volumes
C. Dictionary Entries

Eyer, Ron

Year: 1968
Complete Citation:
Eyer, Ron. “Avant-Garde Package by Connecticut Yankee.” Newsday, August 30, 1968, 34A.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

F.A.K.

Year: 1951
Complete Citation:
F.A.K. “Carnegie Hall. N.Y. Philharmonic-Symphony, Leonard Bernstein. Ives—Symphony No. 2.” Musical Courier 143, no. 9 (15 March 1951): 12.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Fairfield, Patrick

Year: 2006
Complete Citation:
Fairfield, Patrick. “‘Representations of Femininity in the Songs of Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs

Fairfield, Patrick K.

Year: 2000
Complete Citation:
Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fairman, Richard

Year: 2015
Complete Citation:
Fairman, Richard. “Charles Ives: Symphonies Nos 1 and 2 -- Review.” FT.com. 2015.
Source: Online Article
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Falcinelli, Sylviane

Year: 2001
Complete Citation:
Falcinelli, Sylviane. “William Shuman: “Concerto pour violon. New England Triptych.” Ives: “Variations on ‘America’ (orch. Schuman).” Diapason: le magazine du disque et de la musique vivante (2001): 134.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Falck, Robert

Year: 1965
Complete Citation:
Falck, Robert. “Once Festival at Ann Arbor: Showcase for Newest Music.” The Boston Globe, 1965, A26.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Fannain, Guido

Year: 1932
Complete Citation:
Fannain, Guido. “Revue.” Le Resseona Musicale 2/5, March 1932.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Farberman, Harold

Year: 1963
Complete Citation:
Farberman, Harold. Liner notes for Pieces for Chamber Orchestra and Songs. Cambridge CRS 1804, 1963, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works

Farwell, Arthur

Year: 1935
Complete Citation:
Farwell, Arthur. “Pioneering for American Music.” Modern Music 12 (March-April 1935): 116-122.
Source: Journal
VI. Topical Studies
L. Ives and America

Faucett, Bill F. (Compiled, prepared, and introduced by)

Year: 2008
Complete Citation:
Faucett, Bill F., ed. Music in America, 1860--1918: Essays, Reviews, and Remarks on Critical Issues. Monographs and Bibliographies in American Music, series edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2008.
Notes:

Cites and quotes from the review of The Celestial Country from the Musical Courier {CI08}.

Source: Book
VI. Topical Studies
L. Ives and America

Favre, Roger

Year: 1990
Complete Citation:
Favre, Roger. “Ives, Charles.” In Encyclopédie des grands maîtres de la musique. Paris, France: Hachette, 1990.
Source: Chapter in Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Feder, Stuart

Complete Citation:
Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” The Annual of Psychoanalysis Vol. 10 (1982), pp. 301-332.
Source: Journal
Reprints:

Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” In <i>Psychoanalytic Explorations in Music</i>, edited by Stuart Feder, Richard L. Karmel, and George H. Pollock, 233-266. Volume 3 of <i>Applied Psychoanalysis Series</i>. Madison, CT: International Universities Press, 1990.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1980
Complete Citation:
Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” The Musical Quarterly Vol. 66, No. 2 (April 1980): 234-261.
Source: Journal
Reprints:

Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” <i>Annual of Psychoanalysis</i> (1981) 9: 265-316.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1981
Complete Citation:
Feder, Stuart. “Charles and George Ives: The Veneration of Boyhood.” The Annual of Psychoanalysis Vol. 9 (1981): 265-316.
Source: Journal
Reprints:

Feder, Stuart. “Charles and George Ives: The Veneration of Boyhood.” In <i>Psychoanalytic Explorations in Music</i>, edited by Stuart Feder, Richard L. Karmel, and George H. Pollock. Volume 3 of <i>Applied Psychoanalysis Series</i>. Madison, CT: International Universities Press, 1990.

VI. Topical Studies
N. Ives’ Childhood
Year: 1983
Complete Citation:
Feder, Stuart. "Charles Ives and the Unanswered Question.” In The Psychoanalytic Study of Society edited by Werner Munsterberger, L. Bryce Boyer, and Simon A. Grolnick, 321-351. Volume 10 of The Psychoanalytic Study of Society. Hillsdale, NJ: The Analytic Press, 1983.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works