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Bibliography

Fiender, Reinhard

Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Filho, Carlos Marigo

Year: 2001
Complete Citation:
Filho, Carlos Marigo. “L'allusion musicale au début du XXe siècle.” Ph.D. diss., Université Panthéon-Sorbonne (Paris), 2001.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Finaldi, Edmond T.

Year: 1961
Complete Citation:
Finaldi, Edmond T. “Some musical ideas of Charles E. Ives, Connecticut's pioneer in contemporary music.” M.S. thesis, Western Connecticut State University, 1961.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Finch, Hilary

Year: 1999
Complete Citation:
Finch, Hilary. “New Classical CDs: 1N Edition 1.” Times, February 25, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fine, Elaine

Year: 2000
Complete Citation:
Fine, Elaine. “Review of Ives, Trio (Sound Recording).” American Record Guide 63/6 (November-December 2000): 124.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Fine, Elaine. “Collections: “American Violin.”” American Record Guide, Vol. 70, No. 2 (2007): 208.
Source: Magazine
D. Reviews
Year: 2015
Complete Citation:
Fine, Elaine. “Collections: “American Chamber Pieces.”” American Record Guide, Vol. 78, No. 1 (2015): 214.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fink, Lea

Year: 2011
Complete Citation:
Fink, Lea. “Identitäts(Er)Findung Der Amerikanischen Musikgeschichte: Charles Ives.” In Identität - Alterität - Musik, Vol. 4, edited by Annegret Huber et al., 83-98. Vienna, Austria: Hollitzer Verlag, 2011.
Source: Journal
VI. Topical Studies
L. Ives and America

Finkelstein, Sydney

Year: 1960
Complete Citation:
Finkelstein, Sydney. Composer and Nation: The Folk Heritage of Music, 237-243. London, United Kingdom: Lawrence & Wishart, 1960.
Source: Book
VI. Topical Studies
L. Ives and America

Finn, Geraldine

Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Finn, Robert

Year: 1999
Complete Citation:
Finn, Robert. “Concerts Everywhere: Cleveland-Cleveland Orchestra: Ives “Emerson Concerto” [Premiere].” American Record Guide, Vol. 62, No. 1 (1999): 47-48.
Source: Magazine (recording review/premiere)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Finney, Ross Lee

Year: 1969
Complete Citation:
Finney, Ross Lee. Review of Music in the United States, by H. Wiley Hitchcock. Notes 26/2 (1969 December): 271--271.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Finney, Theodore M.

Year: 1935
Complete Citation:
Finney, Theodore M. A History of Music, 601-602. New York, NY: Harcourt, Brace & Howe, 1935,
Source: Book
Reprints:

Finney, Theodore M. <i>A History of Music</i>, 645. Westport, CT: Greenwood Press, 1947. * Finney, Theodore M. <i>A History of Music</i>. Westport, CT: Greenwood Press, 1976.

VII. Entries in Larger Volumes
A. Textbook Accounts

Finnissy, Michael

Year: 1985
Complete Citation:
Finnissy, Michael. “Almeida Festival: Nancarrow and Ives.”Tempo 154 (September 1985): 45-46.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Fischer-Dischau, Dietrich

Year: 2001
Complete Citation:
Fischer--Dischau, Dietrich. “5. Wortfestival in Lippstadt. 2001.” Item 33; oil painting.
Notes:

Based on the Halley Erskine photograph.

Source: Painting
XVI. Photographs and Artwork
B. Artwork

Fischer, Fred

Year: 1975-1976
Complete Citation:
Fischer, Fred. “Ives' Concord Sonata.” PQ 92 (1975-1976): 23-27.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1981
Complete Citation:
Fischer, Fred. Ives’ Concord Sonata. Denton, Texas: C-G Productions, 1981.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Fischer, Heinz Dietrich

Year: 2001
Complete Citation:
Fischer, Heinz- Dietrich. “History and Development of the Pulitzer Prize for Music.” In Musical Composition Awards 1943--1999: From Aaron Copland and Samuel Barber to Gian--Carlo Menotti and Melinda Wagner, xvii-xxvi. Edited by Heinz--Dietrich Fischer and Erika J. Fischer. Munich, Germany: K.G. Saur, 2001.
Source: Book
V. General Music Studies

Fischlin, Daniel

Year: 2011
Complete Citation:
Fischlin, Daniel. ““A Door to Other Doors”: Henry Threadgill Interview with Daniel Fischlin.” Critical Studies in Improvisation, Vol. 7, No. 2 (2011).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers