VI. Topical Studies

Sterne, Colin. “The Quotations in Charles Ives’s Second Symphony.” Music and Letters 52 (1971): 39-45.

Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.

Rosa, Alfred F. “Charles Ives: Music, Transcendentalism, and Politics.” New England Quarterly 44 (1971): 433-443.

Robinson, David B. “Children of the Fire: Charles Ives on Emerson and Art.” American Literature 48 (1977): 564-76.

Perison, Harry. “The Quarter-Tone System of Charles Ives.” Current Musicology, no. 18 (1974): 96-104.

Morgan, Robert P. “Rewriting Music History: Second Thoughts on Ives and Varèse.” Musical Newsletter 3, no. 1 (January 1973): 3-12, and 3, no. 2 (April 1973): 15-23, 28.

Kellers, Wilfred. “Realism and Transcendentalism: Charles Ives as American Hero.” In Music in a New Found Land: Themes and Developments in the History of American Music, 38-64. London, United Kingdom: Barrie and Rockliff, 1964.

Larson, Gary O. “Charles Ives and American Studies.” Student Musicologists at Minnesota 6 (1975-76): 237-249.

Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.

Josephson, Nors S. “Charles Ives: Intervallische Permutationen im Spätwerk.” Zeitschrift für Musiktheorie 9/2 (1978): 27-33.