VI. Topical Studies

Johnson, Russell I. “A View of Twentieth-Century Expression.” Journal of Aesthetics and Art Criticism 28 (1970): 361-368.

Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.

Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.

Helms, Hans G. “Charles Ives—Hommage zur 100. Geburtstag; 1. Zur Physiognomie eines revolutionären Komponisten und Citoyen; 2. Zum Phänomen der Ungleichzeitigkeit kompositoricher Konzeptionen und ihrer technichen Realiserbarkeit.” Student Musicologists at Minnesota 6 (1975-76): 95-127.

Helms, Hans G. “Charles Edward Ives—Ideal American or Social Critic?” Current Musicology, No. 19 (1975): 37-44.

Zijlstra, Miep. “Besprekingen en Berichter.” Mens en Melodie 24, no. 11, November 1969, 349.

de Leeuw, Reinbert. “Charles Ives, Zijn Muziek: Inleidung, Ives’ Gebruik van Muzikaal Materiaal.” [From J. Bernlef and Reinbert de Leeuw, Charles Ives.] Translated by Bertus Polman. Student Musicologists at Minnesota 6 (1975-76): 128-191.

Davidson, Colleen. “Winston Churchill and Charles Ives: The Progressive Experience in Literature and Song.” Student Musicologists at Minnesota 3 (1968-69): 168-94, and 4 (1970-71): 154-80.

Davidson, Audrey. “Transcendental Unity in the Works of Charles Ives.” American Quarterly 22 (Spring 1970): 35-44.

Conn, Peter. “Innovation and Nostalgia: Charles Ives.” In The Divided Mind: Ideology and Imagination in America, 1898-1917, 230-250. Cambridge, UK: Cambridge University Press, 1983.