Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.

Charles Ives and His World, edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press.

Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.

Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.

Reviews: Music & Letters 78/4 (1997): 616-617.

Geoffrey Block. Ives: Concord Sonata. Cambridge Music Handbooks, general editor, Julian Rushton. Cambridge, United Kingdom: Cambridge University Press.

Noroa, Daniel Quiroga. “Creadon Musical Chilena: Encargo ‘Charles Ives’ para Compositores.” Revista musical chilena 50 (July-December 1996): 85-85.

Paolo Somigli. Review of Charles Ives and His World Festival. Il saggiatore musicale (2002) 9/1-2: 265--270.

David Schiff. "The Many Faces of Ives." Atlantic Month-ly (1997 January) 279/1: 84-87. General article with comments on the Bard Festival.

Smith, Ken. “Bard Festival: Charles Ives: The Power to Offend.” American Record Guide (1996 November/De-cember) 59/6: 36-38.