Slonimsky, Nicolas. Perfect Pitch: A Life Story. Oxford, United Kingdom: Oxford Uni-versity Press, 1988.

Scharnhorst, Gary. “From Soldier to Saint: Robert Gould Shaw and the Rhetoric of Racial Justice.” Civil War History 34 (December 1988): 321.

Kelly, Kevin Oliver. "The Songs of Charles Ives and the Cultural Con-text of Death.” Ph.D. dissertation, University of North Carolina, Chapel Hill, 1988.

Froelich, Andrew I. “The Four Violin Sonatas by Charles Ives.” Ph.D. diss., Michigan State University, 1988.

Stuck-Schloen, M. “Review of ‘Internationale Symposium’: "Köln, 24. bis 27. Februar 1988: International Symposium Charles Ives und die amerikanische Musik.” Die Musikforschung 41/4: 356-357.

Internationale Symposium von Charles Ives und die amerikanische Musiktraditionen bis zu Gegenwart, sponsored by the Westdeutschen Rundfunk, the University of Cologne, and the City of Duisburg, Ger-many (February 24-27, 1988).

Henck, Herbert. “Charles Ives Piano Sonata No. 2: ‘Concord, Mass., 1840-1960’.” In Charles Ives und die amerikanische Musik. International Symposium, February 24-27, 1988. Cologne, Germany.

Corre, Christian. “Ives selon Cage: ou, De la citation a l’indetermination.” Revue d’Esthetique 13-15 (1988): 141.

Borroff, Edith. “American Music since Charles Ives.” Sonneck Society for American Music Bulletin 14/1 (1988): 11-12.

Kerner, Leighton. “Ives in the Balance (American Music Festival).” Village Voice, June 7, 1988, sec. 33, 82.