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Iverson, Jennifer Music Theory Online 2011

  • Read more about Iverson, Jennifer Music Theory Online 2011
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’s Collages.” Music Theory Online 17.2 (July 2011).

de la Fuente, Eduardo Journal of Classical Sociology 2004

  • Read more about de la Fuente, Eduardo Journal of Classical Sociology 2004
de la Fuente, Eduardo. “Max Weber and Charles Ives: The Puritan as Cultural Modernist.” Journal of Classical Sociology 4.2 (July 2004): 191-214.

Johnson, Owen 1912

  • Read more about Johnson, Owen 1912
Johnson, Owen. Stover at Yale. Boston, MA: Little, Brown, 1912.

Thurmaier, David American Music 2014

  • Read more about Thurmaier, David American Music 2014
Thurmaier, David. “‘When Borne by the Red, White, and Blue’: Charles Ives and Patriotic Quotation.” American Music 32.1 (Spring 2014): 46-81.

Burkholder, J. Peter Journal of Musicological Research 2012

  • Read more about Burkholder, J. Peter Journal of Musicological Research 2012
Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.

Hepokoski, James Musical Times 1994

  • Read more about Hepokoski, James Musical Times 1994
Hepokoski, James. “Temps Perdu. Revolutionary or Reactionary?” Musical Times 135 (1994): 746-751.

Sherwood, Gayle Choral Journal 2003

  • Read more about Sherwood, Gayle Choral Journal 2003
Sherwood, Gayle. “Charles Ives and the American Choral Tradition.” Choral Journal 43.8 (March 2003): 27-32.

Whitesell, Lloyd American Music 1994

  • Read more about Whitesell, Lloyd American Music 1994
Whitesell, Lloyd. “Reckless Form, Uncertain Audiences: Responding to Ives.” American Music 12.3 (Autumn 1994): 304-319.

Murphy, Scott Twentieth Century Music 2008

  • Read more about Murphy, Scott Twentieth Century Music 2008
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.

Bruhn, Christopher Journal of Musicology 2011

  • Read more about Bruhn, Christopher Journal of Musicology 2011
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.

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