Iverson, Jennifer Music Theory Online 2011 Read more about Iverson, Jennifer Music Theory Online 2011 Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’s Collages.” Music Theory Online 17.2 (July 2011).
de la Fuente, Eduardo Journal of Classical Sociology 2004 Read more about de la Fuente, Eduardo Journal of Classical Sociology 2004 de la Fuente, Eduardo. “Max Weber and Charles Ives: The Puritan as Cultural Modernist.” Journal of Classical Sociology 4.2 (July 2004): 191-214.
Johnson, Owen 1912 Read more about Johnson, Owen 1912 Johnson, Owen. Stover at Yale. Boston, MA: Little, Brown, 1912.
Thurmaier, David American Music 2014 Read more about Thurmaier, David American Music 2014 Thurmaier, David. “‘When Borne by the Red, White, and Blue’: Charles Ives and Patriotic Quotation.” American Music 32.1 (Spring 2014): 46-81.
Burkholder, J. Peter Journal of Musicological Research 2012 Read more about Burkholder, J. Peter Journal of Musicological Research 2012 Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.
Hepokoski, James Musical Times 1994 Read more about Hepokoski, James Musical Times 1994 Hepokoski, James. “Temps Perdu. Revolutionary or Reactionary?” Musical Times 135 (1994): 746-751.
Sherwood, Gayle Choral Journal 2003 Read more about Sherwood, Gayle Choral Journal 2003 Sherwood, Gayle. “Charles Ives and the American Choral Tradition.” Choral Journal 43.8 (March 2003): 27-32.
Whitesell, Lloyd American Music 1994 Read more about Whitesell, Lloyd American Music 1994 Whitesell, Lloyd. “Reckless Form, Uncertain Audiences: Responding to Ives.” American Music 12.3 (Autumn 1994): 304-319.
Murphy, Scott Twentieth Century Music 2008 Read more about Murphy, Scott Twentieth Century Music 2008 Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.
Bruhn, Christopher Journal of Musicology 2011 Read more about Bruhn, Christopher Journal of Musicology 2011 Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.