Allen, Sandra Gillette. “Salient formal and thematic structures in the four violin sonatas of Charles Ives.” M.A. Thesis, University of Washington, 1966.

Stace, Stephen. “Charles Ives' concept of organization and unity as revealed in the third symphony.” M.F.A. Thesis, Pennsylvania State University, 1974.

Kinne, William Joseph. “The wind band music of Charles Ives: an annotated repertoire list of original works and arrangements.” D.M.A. Thesis, University of Colorado, 2015.

Vastano, Robert Guy. “A biographical and theoretical analysis of the trumpet in selected chamber works of Charles Ives: an aid to performance.” D.M.A. Thesis, University of Texas at Austin, 2002.

Mikhashoff, Yvar. A thematic survey of the first movement (Emerson) of the Sonata no. 2, “Concord, Mass. 1840-1860” of Charles Ives. Unpublished manuscript. Yvar Mikhashoff Papers. Mss. 10, Folder 6. Music Library, University at Buffalo. 198?.

Harer, Carolyn Bertha. “Charles Ives and a stylistic analysis of his three piano sonatas.” M.M. Thesis, North Texas State College, 1955.

Eiseman, David. “Charles Ives and the European tradition: a historical reappraisal.” Ph.D. diss., University of Illinois, 1972.

Jones, Marged. “Compositional techniques with suggested rehearsal strategies for selected choral works of Charles Ives.” M.M. thesis, Kent State University, 1980.

Schemanske, Joyce Anne. “The organ music of William Bolcom as it reflects the musical legacy of Charles Ives.” D. Mus. Thesis, Northwestern University, 1983.

Patkin, Nehama. “New approaches to piano sonorities in works of Charles Ives, Henry Cowell and Edgar Varèse.” M.M. thesis, University of Melbourne, 1976.