Brandt, R. Lynne. “Transcendentalism and intertextuality in Charles Ives's war songs of 1917.” M.M. Thesis, University of North Texas, 1998.

Young, Jerry Lee. “Characteristics of traditional Western art music as symbolic and structural elements in the music of Charles E. Ives.” M.Mus. Thesis, University of Texas at Austin, 1980.

Lacny, Catherine. “Charles Edward Ives, 1874-1954: a biographical sketch and a treatise of the relationship between his political philosophy and his musical innovations.” M.A. Thesis, Rosary College, 1976.

Ives, Charles E. New music: a quarterly of modern compositions, nineteen songs. New York, New York: New Music, 1935.

White, Bruce Howard. “Evidence of three stylistic periods in selected Psalm settings by Charles E. Ives.” D.M.A. thesis, University of Colorado, 1978.

Finaldi, Edmond T. “Some musical ideas of Charles E. Ives, Connecticut's pioneer in contemporary music.” M.S. thesis, Western Connecticut State University, 1961.

Palmer, Lyelle Lee. “Some techniques of composition, employed by Charles Edward Ives in 114 songs.” M.M. thesis, Southern Methodist University, 1963.

Bourne, Patricia Gerald. “An American meets Euterpe: Charles Edward Ives.” A.B. thesis, Radcliffe College, 1961.

Sofonea, Traian. “Charles Ives: un grande compositore americano che operò con slancio messianico in compo assicurativo.” Generali VI (1978): 35-36.

U.S. Centre Culturel Américain. Autour de Charles Ives, 1874-1954. Exposition du vendredi 24 avril au samedi 16 mai 1970. Paris, France: U.S. Centre culturel américain, 1970.