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Dotson, Mary Elizabeth. Selected research and the corollary performance of two piano pieces by Charles Ives. Jefferson City, TN: Carson-Newman College, 1976.

Alexander, Shaina. Charles Ives: His Life and Esthetic Theories. Morris Moore Series in Musicology, No. 11. Silver Spring, MD: Shazco, 1999.

Holmes, Thomas Stephenson. “Charles Ives: the four violin sonatas.” B.A. Thesis, Reed College, 1966.

Sewell, Amanda Jo. “Reception and self-perception in the music of Charles Ives.” B.A. Thesis, Butler University, 2004.

Eames, Philip. “Approaches to the Hawthorne Movement of the Concord Sonata by Charles Ives.” M. Mus. Thesis, Griffith University, 2010.

Nitz, Joel Frederick. “The use of hymn tunes in Charles Ives' second, third and fourth symphonies.” M.A. Thesis, Bob Jones University, 1977.

Schuld, Diana Boe. “The influence of transcendentalism upon the Music of Charles Ives.” M.A. Thesis, Hofstra University, 1971.

Spahn, Teresa Kathleen. “The innovative style of Charles Ives: a study of the 114 songs.” B.M. Thesis, Converse College, 1988.

Castleman, Lisa D. “A conductor's practical approach to "Country Band" March by Charles Ives.” M.M. Thesis, California State University, Long Beach, 2013.