Nehrenberg, Steven D. “Three levels of quotation in the music of Charles Ives.” M.A. Thesis, University of Oregon, 1992.

Laskowich, Lisa. “Charles Ives: a reference guide for college students in thirty-three sketches.” D.M.A. Thesis, Manhattan School of Music, 2003.

Kirkpatrick, John. “Chronology of the life and work of Charles Ives, 1874-1954.” Unpublished manuscript, microfilm. Irving S. Gilmore Music Library, Yale University Library, New Haven, Connecticut.

Correspondence from Charles and Harmony Twitchell Ives to Anton Rovinsky, 1928, 1951. General Manuscript Collection, Northwestern University Music Library, Evanston, Illinois.

Perry, Rosalie Sandra. “Charles Ives as a progressive.” M.A. Thesis, University of Texas at Austin, 1969.

Averill, Ron. “The use of quotation in 20th-century works by Ron Averill, Charles Dodge, and Charles Ives.” D. Mus. Thesis, University of Washington, 1995.

Rayson, John Baird. “The problem of style in the songs of Charles Ives.” M.A. Thesis, University College, Cardiff, 1982.

Gerschefski, Peter E. “A critical analysis of the works of Charles Ives.” M.A. Thesis, University of Southern California, 1959.

“Songs my mothers taught me: the sentimental ballads of Charles Ives.” M.A. Thesis, University of Washington, 2010.

Yale University. Charles Ives Centennial Festival-Conference, 17-21 October, 1974. New York, NY: Schirmer Books, 1974.