Daugherty, Michael. “Goethe and Emerson: the link between aesthetic theories and compositional processes of Gustav Mahler and Charles Ives.” M.M.A. Thesis, Yale University, 1982.

Coakley, John P. “The artistic process as religious enterprise: the vocal texts of Charles Ives and the poetry of E.E. Cummings.” Ph.D. diss., Brown University, 1982.

Ballard, Lincoln M. “Similar directions, possible influences: parallels between the music of Alexander Scriabin and Charles Ives.” M.M. Thesis, Florida State University, 2001.

Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.

White, James T. Charles Edward Ives. New York, NY: James T. White Co., 1942.

Theodore, Mary. “The violin and piano sonatas of Charles Ives: a methodical approach to performance with motivic analysis.” D.Mus. Thesis, Arts University of Washington, 2003.

Roller, Jonathan Brian. “An analysis of selected movements from the symphonies of Charles Ives using linear and set theoretical analytical models.” Ph.D. diss., University of Kentucky, 1995.

McDonald, Matthew James. “Translating experience, transcending time: temporal procedures and their expressive meanings in the music of Charles Ives.” Ph.D. diss., Yale University, 2004.

Logan, Adeline Marie. “American national music in the compositions of Charles Ives.” M.A. Thesis, University of Washington, 1943.

Cooke, Antony. Charles Ives and his Road to the Stars: a Guide to the Music and the Man. Charleston, SC: Estrella Books, 2012.