VIII. Dissertations, Theses, and Baccalaureate Essays

Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.

Schulz, Thomas. "Die Lieder von Charles E. Ives.” Ph.D. diss., Köln Universität, 2020 (in progress).

Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.

Fessel, Pablo. “Heterogeneidad y concreción en la simultneidad musical. Una caracterización teórica e histórica del concepto de textura.” Doctoral thesis, Universidad de Buenos Aires, 2005.

Davis, Joel Scott. “The Populist Variations: The Role of Hymnody in the Music of Charles Ives, Aaron Copland, and John Adams.” D.M.A. diss., Claremont Graduate University, 2011.

Cohen, Jacob. “Constructions of New England Identity and Place in American Music, 1885-1935.” Graduate Center, CUNY, 2017.

Blim, Dan. “Patchwork Nation: Collage, Music, and American Identity.” Ph.D. diss., University of Michigan, 2013.

Arnold, Jerome Steven. ““Country Band” March: Historical Perspectives, Stylistic Considerations and Rehearsal Strategies.” D.M.A. diss., George Mason University.

Alexander, Michael. “Improvisation in the Music of Charles.” Ph.D. diss., Keele University, 1986.

Wright, Allan. “Frank Zappa’s orchestral works: art music or “bogus pomp”?” University of Glasgow, M.M. thesis, 2007.