VIII. Dissertations, Theses, and Baccalaureate Essays

Beck, Jill. “Principles and Techniques of Choreography: A Study of Five Choreographers from 1983.” Ph.D. diss., City University of New York, 1985.

Henderson, Joyce Joy. “Die Concord Sonata von Charles Ives.” Ph.D. diss., Freie Universität, Berlin, 2008.

Gail, Dorothea. “Die 4. Symphonie von Charles Ives, Quellen—Werk- struktur—religios-asthetischer Kontext.” Ph.D. diss., Hochschule fur Musik und darstellende Kunst, Frankfurt am Main, 2008.

Davy, Rebecca Evers. “The First Piano Sonata of Charles Ives: An Analytical and Historical Study.” Ph.D. diss., University of Southern California, 2008.

Thurmaier, David Paul. “Time and Compositional Process in Charles Ives’s Holidays Symphony.” Ph.D. diss., Indiana University, 2006.

Kopp, Christina Lee. “‘A School of New Men’: Composing an Ameri- can Identity in the Early Twentieth Century.” Ph.D. diss., Bos-ton University, 2006.

Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.

Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.

Berners, John Edgar. “Use of Time and Spatial Form in String Quartet No. 2 by Charles Ives.” Ph.D. diss., University of Michigan, 2005.

Muñiz, Jorge. “The Use of Quotation in the Music of John Corigliano.” D.M.A. diss., Manhattan School of Music, 2004.