VI. Topical Studies

Noble, David W. “Freedom from Form: Progressivism in Architecture, Art. and Music.” In The Progressive Mind 1890-1917, 131-135. Chicago, IL: Rand McNally & Co., 1970.

Drew, James. “Modern Music and the Debt to Charles Ives. Parts I and II.” Yale Reports. December 27, 1970 and January 3, 1971.

Austin, William W. “Contemporaries in America, Australia, Japan.” In Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.

“Institute of Arts Names 15 Members.” The New York Times, December 28, 1945, 13.

Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.

Rao, Nancy Yunhwa. “Allegro Scorrevole in Carter’s First String Quartet: Crawford and the Ultramodern Inheritance.” Music Theory Spectrum 36/2 (2014): 181-202.

“Notes for NOTES.” Notes 30/3 (1974): 501-504.

Cash, Alice H. “Feminist Theory and Music: Toward a Common Language School of Music University of Minnesota Minneapolis — 26-30 June 1991.” The Journal of Musicology 9/4 (1991): 521-532.

Young, Douglas. “Copland’s Dickinson Songs.” Tempo 103 (1972): 33-37.

Christopher Shultis. “Robert Morris and the Missing Middle.” Perspectives of New Music 52/2 (2014): 316-324.