VI. Topical Studies

Babcock, David. “Carl Ruggles: Two Early Works and ‘Sun-Treader’.” Tempo, no. 135 (1980): 3-12.

Duane, Ben. “Auditory Streaming Cues in Eighteenth- and Early Nineteenth-Century String Quartets: A Corpus-Based Study.” Music Perception: An Interdisciplinary Journal 31/1 (2013): 46-58.

Méfano, Paul. “Méfano, Paul (1937).” In Three Questions for Sixty-Five Composers, edited by Bálint András Varga, 174-176. Woodbridge, United Kingdom: Boydell and Brewer, 2011.

Rappaport, Howard. “The Infinite Variety of Listening Logs: Your Students May Astound You.” Music Educators Journal 91/3 (2005): 29-33.

Musgrave, Thea. “A New Viola Concerto.” The Musical Times 114/1566 (1973): 790-791.

Mehring, Frank. “‘Unpremeditated Music’: Thoreaus Avantgardistische Vorstöße in Eine Neudefinition Von Musik.” Amerikastudien/ American Studies 47/1 (2002): 39-54.

Chernosky, Louise E. “Imagining Listeners through American Experimental Music: NPR’s RadioVisions.” In Tomorrow Is the Question: New Directions in Experimental Music Studies, edited by Benjamin Piekut, 229-253. Ann Arbor, MI: University of Michigan Press, Ann Arbor, 2014.

Ivashkin, Alexander and John Cage. “John Cage in Soviet Russia.” Tempo, vol. 67, no. 266 (2013): 18-27.

Spilker, John D. “The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes from Henry Cowell’s 1951 Advanced Music Theory Course.” American Music, vol. 30, no. 4 (2012): 405-425.

Hiekel, Jörn Peter. “Komponierte Erfahrungsräume: Zeit- Und Wirklichkeitsbezüge in Der Musik.” Neue Zeitschrift Für Musik (1991-), vol. 160, no. 5 (1999): 10-15.