VI. Topical Studies

Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society, vol. 53, no. 1 (2000): 105-139.

Hoek, D.J. “Documenting the International Avant Garde: Earle Brown and the Time-Mainstream Contemporary Sound Series.” Notes 61/2 (2004): 350-360.

Elliot, Martha. “Early Twentieth-Century Nationalism.” In Singing in Style: A Guide to Vocal Performance Practices, 251-285. New Haven, CT: Yale University Press, 2006.

Freer, Patrick K. “From the Academic Editor: ‘Years of Progress’—‘Music Educators Journal’ from 1964 to 1989 (Volumes 51-75).” Music Educators Journal, vol. 100, no. 3 (2014): 18-19.

Rosen, Charles. “Happy Birthday, Elliott Carter!” In Freedom and the Arts: Essays on Music and Literature, 178-186. Cambridge, Massachusetts: Harvard University Press, 2012.

Miller, Leta E. “Henry Cowell and John Cage: Intersections and Influences, 1933-1941.” Journal of the American Musicological Society, vol. 59, no. 1 (2006): 47-112.

Grimes, Ev, and Nicolas Slonimsky. “Conversations with American Composers: Ev Grimes Interviews Nicolas Slonimsky.” Music Educators Journal, vol. 72, no. 7 (1986): 40-43.

Baisley, Robert W. “Charles Wakefield Cadman: Completely American.” Music Educators Journal, vol. 61, no. 9 (1975): 57-58.

Austin, William W. “Studies of Music in the Twentieth Century.” The Journal of Musicology, vol. 1, no. 1 (1982): 63-66.

Noble, David W. “The Vanishing National Landscape: Painting, Architecture, Music, and Philosophy in the Early Twentieth Century.” In Death of a Nation: American Culture and the End of Exceptionalism, 151-214. Minneapolis, MN: University of Minnesota Press, 2002.