VI. Topical Studies

Permoser, Manfred, editor. “Form Und Sinn: Philosophische Und Kunsttheoretische Positionen.” In Zur Kategorie Der Form in Neuer Musik, by Andreas Holzer, vol. 5, Hollitzer Verlag, Wien (2011): 61-112.

Acker, Emma. “Artistic Identity in a Transatlantic Age Patrick Heron, Peter Lanyon, and the New American Painting.” The British Art Journal, vol. 10, no. 3 (2009): 158-170.

Gilbert, Steven E. “Carl Ruggles (1876-1971): An Appreciation.” Perspectives of New Music, vol. 11, no. 1 (1972): 224-232.

Mundy, Rachel. “The ‘League of Jewish Composers’ and American Music.” The Musical Quarterly, vol. 96, no. 1 (2013): 50-99.

Gilbert, Steven E. “Carl Ruggles and Total Chromaticism.” Anuario Interamericano De Investigación Musical, vol. 7 (1971): 43-50.

Taruskin, Richard. “Corraling a Herd of Musical Mavericks.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 153-160. Berkeley, CA: University of California Press, 2009.

Block, Geoffrey. “Bernstein's Senior Thesis At Harvard: The Roots of a Lifelong Search to Discover an American Identity.” College Music Symposium, vol. 48 (2008): 52-68. 

Pozzi, Raffaele, and Louise Forster. “Elliott Carter Talking.” Tempo, no. 167 (1988): 14-17.

Smith, William A. “Leopold Stokowski: A Re-Evaluation.” American Music 1/3 (1983): 23-37.

Broyles, Michael. “Looking Back: Puritanism, Geography, and the Myth of American Individualism.” In Mavericks and Other Traditions in American Music, 271-296. New Haven, CT: Yale University Press, 2004.