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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ahlstrom, David

Year: 1991
Complete Citation:
Ahlstrom, David. “The Problem of the Unfinished: A Cart, a Deity, and Ives's Universe Symphony.” Sonus 11/2 (Spring 1991): 65-76.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Albrecht, Philipp

Year: 2010
Complete Citation:
Albrecht, Philipp. “Besprechungen: Dorothea Gail “Charles Ives’ Fourth Symphony: Quellen-Analyse-Deutung.”” Musiktheorie, Vol. 25, No. 3 (2010): 272-274.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Alms, Anthony

Year: 2005
Complete Citation:
Alms, Anthony. “The Inner World of Charles Ives: A Hermeneutic Approach to Central Park in the Dark.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Arnold, Jermie S.

Year: 2016
Complete Citation:
Arnold, Jermie S. ““Country Band” March - Pioneering the Ivesian Sound.” Journal of Band Research 52, no. 1 (Fall 2016): 44-67.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Auner, Joseph Henry

Year: 2013
Complete Citation:
Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In Musicology: A Book Series, 15. Basel, Switzerland: Gordon and Breach
Publishing Group, 1994: 37-50.
Source: Chapter in Book
Reprints:

Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In <i>Anthology for music in the twentieth and twenty-first centuries</i>. New York: W.W. Norton & Company, 2013.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Austin, Larry

Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modern Performance from Sketches from his ‘Universe’-Symphony.” Perc Notes 23 (1985): 58-84.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation:
Austin, Larry. “The Realization and First Complete Performances of Ives's Universe Symphony.” In Ives Studies, edited by Philip Lambert, 179-232. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Baron, Carol K.

Year: 1991
Complete Citation:
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1996
Complete Citation:
Baron, Carol K. “Analysis and Manuscript Study of Ives's Symphony No. 1 as Biographical Tools: Parker's Lessons.” Paper presented at Sonneck Society for American Music Meeting, Washington, D.C., March, 1996.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2002
Complete Citation:
Baron, Carol K. “Biography and Compositional Process in Charles Ives's First Symphony: Lessons Learned; Mastery Gained.” Paper presented at the meeting of the Greater New York Chapter of the American Musi-cological Society. Rutgers University, Brunswick, New Jersey, February 2002.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2002
Complete Citation:
Baron, Carol K. “Tonal Systems in Crisis: Composition and Autog-raphy in Charles Ives's First Symphony.” Paper presented at Fifth Eu-ropean Music Analysis Conference. University of Bristol, Bristol, England, April 2002.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Bassen, Denise

Year: 2013
Complete Citation:
Bassen, Denise. “Ives’ Fourth Symphony Term Paper.” Academia. December 15, 2003. www.academia.edu/31945715/Ives_Fourth_Symphony_Term_Paper_docx.
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works

Battisti, Frank, and Donald Hunsberger

Year: 1973
Complete Citation:
Battisti, Frank, and Donald Hunsberger. “The Wind Music of Charles Ives.” The Instrumentalist Vol. 28, No. 1 (August 1973): 32-34.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Becker, Dr. John H.

Year: 1933
Complete Citation:
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.
Notes:

Available at the Yale University Music Library Archival Collection. “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Bellamann, Henry

Year: 1927
Complete Citation:
Bellamann, Henry. Program Notes to Ives's Fourth Symphony. Pro Musica Concert, January 29, 1927.
Source: Program Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works

Berger, Melvin

Year: 1995
Complete Citation:
Berger, Melvin. “Charles Ives.” In The Anchor guide to orchestral masterpieces. New York, NY: Anchor Books, 1995.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Bernstein, Leonard

Year: 1960
Complete Citation:
Bernstein, Leonard. Liner notes for Charles Ives — Symphony No. 2. Leonard Bernstein, New York Philharmonic. Columbia Masterworks, KS 6155, 1960, 33.3 RPM.
Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works

Blanding, Thomas

Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy

Bloom, Harold

Complete Citation:
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.
Notes:

Only one reference to Ives: "The war of American poets against influence is part of our Emersonian heritage, manifested first in the great triad of 'The Divinity School Address,' 'The American Schol-ar,' and ‘Self--Reliance.' This heritage can be traced in Thoreau, Whit-man, Dickinson and quite directly again in Robinson and Frost, in the architectural writings of Sullivan and Wright, in the Essays Before a Sonata of Charles Ives. The less direct heritage is more relevant to any brooding on the negative aspects of poetic influence, centering partly on Pound and Williams (where it is refracted through Whitman) and partly on Stevens, who disliked the very idea of influence."

Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Bohlman, Philip V.

Year: 2005
Complete Citation:
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.
Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy