Discography

About

The first comprehensive Charles Ives discography, compiled by Richard Warren, was published in 1972. In the decades following, Warren, along with staff of the Yale Collection of Historical Sound Recordings, continued documenting newly released recordings of Ives’ music. With support from the Charles Ives Society, Kevin Sherwin completed compiling the discography to include recordings until 2019, and Nicholas Brewer edited and facilitated its online publication and search functions.

This online discography is a comprehensive and searchable list, presented in order of the table of contents listed below. For each composition, recordings are listed in chronological order. The table of contents is based on the structure of James Sinclair’s A Descriptive Catalogue of the Music of Charles Ives, which reflects the current catalogue of recordings of Charles Ives’ music. For more detailed explanations of the discography’s compilation and use of this website, please see the above links to the Preface and Usage Guide.

Table of Contents
I. Orchestra Music
i. Symphonies
ii. Other music for symphony orchestra
iii. Music for chamber or theatre orchestra
iv. Music for band
II. Chamber Music
i. String quartets
ii. Music for various combinations
iii. Sonatas for violin and piano
III. Keyboard Music
i. Piano sonatas
ii. Other music for piano
iii. Piano duets
iv. Organ music
IV. Choral Music
i. Cantata
ii. Other music for chorus and orchestra
iii. Sacred choral music
iv. Secular partsongs
V. Songs
i. A-E
ii. F-L
iii. M-R
iv. S-V
v. W-Y

Featured Recordings - World Premieres, First Recordings, and First Broadcasts

A SET OF THREE SHORT PIECES; i.LARGO CANTABILE;...
A SET OF THREE SHORT PIECES; i.LARGO CANTABILE; ii. SCHERZO; iii. ADAGIO CANTABILE (II-B-16) (84)

Recorded from broadcast of WABC, New York
i. See also HYMN; (i. only)
Notes on the Recording:
Announced as the first broadcast of any Ives composition (March 14, 1938), Ives’ Largo for Strings is performed by the Columbia Chamber Orchestra, conducted by early Ives champion Bernard Herrmann. The orchestra plays the lyrical lines of the composition with noticeable intensity, especially at moments of harmonic dissonance. As well, the ensemble occasionally speeds up and slows down the tempo to heighten the expressive effects of the music.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442293
Recording Date/Location:
March 14, 1938 (broadcast date) , New York City, NY
Performing Artists:
Columbia Chamber Orchestra; Bernard Herrmann, conductor
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038371200, 78 RPM Test Pressing.
A SYMPHONY: "NEW ENGLAND HOLIDAYS": i....
A SYMPHONY: "NEW ENGLAND HOLIDAYS": i. WASHINGTON'S BIRTHDAY; ii. DECORATION DAY; iii. THE FOURTH OF JULY; iv. THANKSGIVING (Text: O God! beneath Thy guiding hand . . .) (I-A-4) (5 (5i., 5ii., 5iii, 5iv.))
Text by Leonard Bacon
Recorded during a performance of the work in Washington, CT; (i., only)

Notes on the Recording:
This early Ives recording includes an excerpt from Washington’s Birthday, which begins at the Allegro at measure 56. Jo Hawthorne conducts the Cape Cod Symphony Society in an interpretation that highlights the folk-like atmosphere of the music. The orchestra plays with a graceful sense of rhythmic drive, frequently bringing out the quoted traditional melodies over the surrounding dissonant textures.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442451
Recording Date/Location:
August 22, 1941
Performing Artists:
Cape Cod Symphony Society; Jo Hawthorne, conductor
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038370806, 1/4 inch sound tape reel.
BERCEUSE (O'er the mountain toward the West...
BERCEUSE (O'er the mountain toward the West . . .) (VI-B-41-d) (220)
Text by the composer
Recorded from WNYC broadcast

Notes on the Recording:
The Works Progress Administration sponsored numerous radio broadcasts featuring American music, describing Charles Ives as “among the most original and extraordinary composers of America.” This program includes a live recital featuring Gretchen Gantvoort, soprano and Thomas Weil, piano, performing Ives’ “Berceuse.” In this early Ives recording, the listener can hear slight pauses in Gantvoort’s singing, which create moments of suspense and emphasis within her delivery of the text. As well, she sings with a notably wide dynamic range, as well as a quick, narrow vibrato throughout the piece.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442235
Recording Date/Location:
September 28, 1939, WPA Community Building, The World's Fair, NYC.
Performing Artists:
Gretchen Gantvoort, soprano; Thomas Weil, piano
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038371572, 78 RPM Test Pressing.
QUARTET, STRINGS, NO. 1: FROM THE SALVATION ARMY...
QUARTET, STRINGS, NO. 1: FROM THE SALVATION ARMY; i. CHORALE (later this movement was included in SYMPHONY NO. 4 and the other movements were renumbered); ii. PRELUDE; iii. OFFERTORY; iv. POSTLUDE (II-A-1) (57)

Recorded from WABC broadcast; (I & ii, arranged for string orchestra by Bernard Herrmann). Recorded from WABC broadcast. (ii & iii, arranged for string orchestra by Bernard Herrmann)

Notes on the Recording:
The String Quartet No. 1 is included in this radio broadcast from the 1940s, performed by members of the Columbia Concert Orchestra, conducted by early Ives champion, Bernard Herrmann. This performance of the quartet was also arranged for string orchestra by Herrmann. The recording displays spirited, rhythmical, and expressive playing throughout the movements. To match the musical contrasts over the course of the piece, the orchestra alternates between lyrical and articulate phrasing styles.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442452 , https://archives.yale.edu/repositories/6/archival_objects/2442453
Recording Date/Location:
March 16, 1943, New York City, NY.
Performing Artists:
Columbia Concert Orchestra; Bernard Herrmann, conductor
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038370814, 1/4 inch sound tape reel. Yale Charles Ives Non-Commercial Sound Recordings 39002038370822, 1/4 inch sound tape reel.
SET FOR THEATRE ORCHESTRA; i. IN THE CAGE; ii. IN...
SET FOR THEATRE ORCHESTRA; i. IN THE CAGE; ii. IN THE INN; iii. IN THE NIGHT (I-C-28) (20)

Recorded from broadcast of WABC, New York. (i. & iii. only)
i. see also THE CAGE; ii. see also SONATA, PIANO, NO. 1: ii/b
Notes on the Recording:
“In the Cage” and “In the Night” are included in this radio broadcast from the 1940s, performed by the Eastman Symphony, with Frederick Fennell conducting. To introduce Ives, the broadcaster says, “one is often startled to observe that the spirit of modernity is not necessarily the exclusive property of the young. The desire to break from tradition is a personal rather than a temporal characteristic… It is only at the present time that his [Ives’] compositions are meeting with general understanding.” In this early recording of Ives’ music, the orchestra plays with dark timbres along with a winding sense of pulse. Notably, the orchestra does not emphasize the complexity of the rhythms and metric changes. Rather, they create a continuous sound and blended rhythmic texture to evoke a haunting musical atmosphere.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442452
Recording Date/Location:
November 11, 1941, New York City, NY
Performing Artists:
Eastman School of Music Orchestra; Frederick Fennell, conductor
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038370814, 1/4 inch sound tape reel.
SONATA, VIOLIN & PIANO, NO. 3
SONATA, VIOLIN & PIANO, NO. 3 (II-C-6) (62)

Recorded from broadcast of WOR, New York (these artists performed the work in recitals in New York City November 11, 1946 & April 29, 1948).

Notes on the Recording:
The three movements of Ives’ Third Sonata for Violin & Piano are included on this ca. 1948 radio program of the Mutual Broadcasting System. Violinist Madeleine Carabo and pianist Carol Robinson offer a virtuosic interpretation, with detailed attention to Ives’ expressive indications in the score. Their playing ranges from lyrical to forceful, shifting with the numerous moods of the sonata.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442472
Recording Date/Location:
ca. 1948, New York City, NY.
Performing Artists:
Madeleine Carabo, violin; Carol Robinson, piano
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038370871, 1/4 inch sound tape reel.
THE SIDE SHOW (Is that Mr. Reilly . . .)
THE SIDE SHOW (Is that Mr. Reilly . . .) (VI-B-66) (348)
Text by the composer, quoting Pat Rooney
Recorded from broadcast of WNYC of recital.

Notes on the Recording:
The Works Progress Administration sponsored numerous radio broadcasts featuring American music, describing Charles Ives as “among the most original and extraordinary composers of America.” This program includes a live recital featuring Gretchen Gantvoort, soprano and Thomas Weil, piano, performing Ives’ “The Side Show.” In this early Ives recording, Gantvoort sings with frequently short, speech-like articulations and a very free sense of pulse. The pianist, Thomas Weil, matches Gantvoort, which articulate and rhythmical playing. Together, these expressive aspects create a feeling of spontaneity and story-telling, complementing the nature of the song’s text.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442235
Recording Date/Location:
September 28, 1939, WPA Community Building Theatre, The World's Fair, New York City, NY
Performing Artists:
Gretchen Gantvoort, soprano; Thomas Weil, piano
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038371572, 78 RPM Test Pressing.
THE WORLD'S HIGHWAY (For long I wander'...
THE WORLD'S HIGHWAY (For long I wander'd happily . . .) (VI-B-42-c) (397)
Text by Harmony Twichell Ives
Broadcast of WNYC

Notes on the Recording:
The Works Progress Administration sponsored numerous radio broadcasts featuring American music, describing Charles Ives as “among the most original and extraordinary composers of America.” This program includes a live recital featuring Gretchen Gantvoort, soprano and Thomas Weil, piano, performing Ives’ “The World’s Highway.” In this early Ives recording, Gantvoort sings with nuanced vocal phrasings that include a flexibility of pulse to complement the musical gestures of the composition. Strikingly, both Gantvoort and pianist Thomas Weil coordinate various immediate fluctuations in dynamics, which highlight the corresponding moments of the text.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442235
Recording Date/Location:
September 28, 1939, WPA Community Building Theatre, The World's Fair, New York City, NY.
Performing Artists:
Gretchen Gantvoort, soprano; Thomas Weil, piano
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038371572, 78 RPM Test Pressing.

Recordings

Search pieces, artists, dates, locations, record label, release number/format/year, text by, and additional notes

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Recording Date/Location Performing Artists Record Label, Release Number, Format, Release Year Album Names Additional Recording Notes
V. Songs
iv. S-V
EIN TON (VI-B-21-b) (241)
see also I HEAR A TONE
Text by Peter Cornelius, translated by C. Hugo Laubach
May-June 2005, Sprague Hall, Yale University, New Haven, CT. Sumi Kittelberger, soprano; Eric Trudel, piano Naxos 8.559271, CD (2008). Charles Ives: Songs, Volume 3
May-June 2005, Sprague Hall, Yale University, New Haven, CT. Sumi Kittelberger, soprano; Eric Trudel, piano Naxos 8.559274, CD (2008). Charles Ives: Songs, Volume 6
SCENES FROM MY CHILDHOOD
see TOM SAILS AWAY
SEHNSUCHT (VI-B-35-c) (345)
May-June 2005, Sprague Hall, Yale University, New Haven, CT. Sumi Kittelberger, soprano; Eric Trudel, piano Naxos 8.559273, CD (2008). Charles Ives: Songs, Volume 5
SEPTEMBER (And in September . . .) (VI-B-61-b) (346)
Text by Folgore da San Geminiano, translated by Dante Gabriel Rossetti
July 17, 1939, Hollywood CA; by Radio Recorders, Inc. Radiana Pazmor, soprano; Frances Mullen, piano
May 11, 1963, McMillin Theatre, Columbia University, New York City. Norma Marder, soprano; James Tenney, piano Capitol (number unlisted), LP (1963). Ives Concert Recorded from WKCR-FM broadcast of concert.
September 13-17, 1965, Cue Studios, New York City, NY. Ted Puffer, tenor; James Tenney, piano Folkways FM3345, 33.3 RPM (1965). Smithsonian Folkways FW03345, CD (2004). Charles Ives Songs, Volume 2
November 2, 1969, Crouse Auditorium, Syracuse University, NY Helen Boatwright, soprano; John Kirkpatrick, piano. Yale Charles Ives Non-Commercial Sound Recordings 39002038373636, 1/4 inch sound tape reel Recorded during recital.
November 18, 19, 24, & 25, 1969, New York City, NY Helen Boatwright, soprano; John Kirkpatrick, piano Columbia M4-32504, 33.3 RPM (1974). Charles Ives: The 100th Anniversary
September 17-27, 1991, American Academy of Arts and Letters, New York City, NY Mary Ann Hart, mezzo-soprano; Dennis Helmrich, piano Albany TROY-080, CD (1994). The Complete Songs of Charles Ives, Vol. IV
May 14-16, 1991, St. Barnabas Church, Woodside Park, London, UK. Henry Herford, baritone; Robin Bowman, piano Unicorn-Kanchana DKP-9112, CD (1991). Charles Ives: Songs, Volume 2
August 1991, McLean, VA Michael Ingham, baritone; Harry Brant, piano AmCam recordings APR-10306CD, CD (1991). Michael Ingram Sings Charles Ives, 28 Songs
January 1993, Sound Recording Centre Steurbaut, Ghent, Belgium Charles Van Tassel, baritone; Marien Van Nieukerken, piano Walpurgis/Voxtempris VTP CD92010, CD (1993). René Gailly VTP CD92010, CD (1996). Charles E. Ives: Songs
November 6-8, 2003, Großer Saal, Vienna Konzerthaus, Vienna, Austria Susan Graham, mezzo-soprano; Pierre-Laurent Aimard, piano Warner Classics 2564 60297, CD (2004). Warner Classics 5195024, CD (2010). Warner Classics 2564657042, CD (2012). Concord Sonata - Songs
May-June 2005, Sprague Hall, Yale University, New Haven, CT Ryan MacPherson, tenor; Eric Trudel, piano Naxos 8.559273, CD (2008). Charles Ives: Songs, Volume 5
March 18-20, 2008, The Recital Hall at The Performing Arts Center, Purchase College, State University of New York Susan Narucki, soprano; Donald Berman, piano New World Records 80680-2, CD (2008). The Light That is Felt: Songs of Charles Ives
SERENITY (O Sabbath rest of Galilee! . . .) (VI-B-60-d) (177 (unison choir), 347 (medium voice))
Text by John Greenleaf Whittier
March 31, 1943, New York City, NY William Ventura, tenor; Columbia Concert Orchestra; Bernard Herrmann, conductor Yale Charles Ives Non-Commercial Sound Recordings 39002038370830, 1/4 inch sound tape reel. (accompaniment arranged by Bernard Herrmann?); Recorded from WABC, New York broadcast.
August 1954, St. Thomas's Episcopal Church, New Haven, CT Helen Boatwright, soprano; John Kirkpatrick, piano; recorded by Richard C. Burns Overtone 7, 33.3 RPM (1954). CRI 675, CD (1994). 24 Songs by Charles Ives. Songs of Charles Ives, Ernst Bacon.
February 22, 1956, Sprague Memorial Hall, Yale University, New Haven, CT Helen Boatwright, soprano; John Kirkpatrick, piano
October 26, 1963, Whittier Women's Club Auditorium, Whittier, California Robert Voris, bass-baritone; Georgie Cooper, piano Century Custom Recording Service 18020, 33.3 RPM (1964). Century Custom Recording Service 18020, CD (1998). Festival of Song Recorded from WKCR-FM broadcast of concert.
May 11, 1963, McMillin Theatre, Columbia University, NYC Norma Marder, soprano; James Tenney, piano Capitol (number unlisted), LP (1963). Ives Concert
October 1964 Ward Devenny, piano; Singer unlisted Yale Charles Ives Non-Commercial Sound Recordings 39002038373776, 78 RPM Test Pressing.
June 6, 1965 (first broadcast date), Boston, MA Donald Gramm, baritone; Richard Cumming, piano ST/AND SLP411 in set SLP411SLP412; a collection entitled Songs of American Composers, 33.3 RPM (1961). ST/AND SLPS7411 in set SLPS-7411SLPS7412, stereo 33.3 RPM (1961). Desto DST 6411-6412, 33.3 RPM (1964). Desto D-7001, mono 33.3 RPM (1964). Desto DST-67001, stereo 33.3 RPM (1964). Desto D411 in set D411D412; same collection; same title, 33.3 RPM (1964). Desto DST7411 in set DST7411-DST7412, stereo 33.3 RPM (1964). Voxbox CDX-5129, CD (1996). Phoenix USA PHCD 178, CD (2011). Songs of American Composers Broadcast of National Educational Television, MUSICAL EXPERIMENTERS, from "Music in the Twenties" series.
September 13-17, 1965, Cue Studios, NYC Ted Puffer, tenor; James Tenney, piano Folkways FM3345, 33.3 RPM (1965). Smithsonian Folkways FW03345, CD (2004). Charles Ives Songs, Volume 2
May 4, 1966, Hollywood, CA The Gregg Smith Singers; The Columbia Chamber Orchestra; Gregg Smith, conductor Columbia ML6321 (Matrix: XXLP-114206), 33.3 RPM (1966). Columbia MS692 1 (Matrix: XXSM114208), stereo 33.3 RPM (1966). C.B.S. BRG72581 & SBRG-725821, stereo 33.3 RPM (1967, England). Charles Ives: Music for Chorus (with additions from fragment of version for chorus and orchestra)
ca. 1967, Manhattanville College of the Sacred Heart, Harrison, New York Summer Session Choir (1967), Pius X School of Liturgical Music; Ralph Hunter, conductor 12-BD-235-A, 33.3 RPM (1967).
1967, Boston, MA Jean Lunn, soprano; Susan Williams, piano. Yale Charles Ives Non-Commercial Sound Recordings 39002038372232, 1/4 inch sound tape reel. Jean Lunn: Five Songs by Charles Ives Recorded by Stephen B. Fassett
April 16, 1968, Urbana-Champaign, IL New Music Choral Ensemble (unaccompanied); Kenneth Gaburo, conductor Ars Nova Ars Antiqua AN1005, stereo 33.3 RPM (1971). 20th Century Choral Music
December 29, 1968, afternoon, Sprague Memorial Hall, Yale University, New Haven, CT Helen Boatwright, soprano; William Dale, piano. Yale Charles Ives Non-Commercial Sound Recordings 39002126011031, 1/4 inch sound tape reel. Songs of Charles Ives Recorded by Richard Warren Jr. Recorded during recital.
ca. 1969, St. John's Military Academy, Salina, Kansas St. John's Military Academy Choristers (1969); Robert C. Ausland, choirmaster; Dale M. Kastberg, organ RPC JZB-36861/2, 33.3 RPM (1969). St. John's Military Academy: Choristers 1969
October 27 or 28, 1969, NYC Evelyn Lear, soprano; Alan Mandel, piano Columbia M30229, stereo 33.3 RPM (1971). Wadsworth Publishing Company, Inc. P6 17972, 33.3 RPM (1985). CBS Special Products P6 15628, 33.3 RPM (1981). American Scenes, American Poets
1970, Sprague Hall, Yale University, New Haven, Connecticut The Yale Men's and Women's Glee Clubs; Fenno Heath, conductor Custom Fidelity Recordings CFS-2254, 33.3 RPM (1970).
1974, possibly Jordan Hall, New England Conservatory of Music, Boston, MA New England Conservatory Chamber Singers; Lorna Cooke deVaron, conductor New England Conservatory NEC-111, 33.3 RPM (1975). Be Glad, Then, America!: A Bicentennial Recording: The New England Conservatory Celebrates Our American Musical Heritage.
April 10/ 11, 1975, Tonstudio Bauer, Ludwigsburg, Germany Avon Stuart, baritone; Gregor Eichhorn, piano Edition Rhodos ERS-1218, 33.3 RPM (year unlisted) Avon Stuart Recital
October 1975, New York City, NY Jan DeGaetani, mezzo-soprano; Gilbert Kalish, piano Nonesuch H-71325, 33.3 (1976). Elektra, Nonesuch 9 71325-2, CD (year unlisted). Charles Ives: Songs
January 17, 1978, Ambassador Auditorium, Pasadena, CA Evelyn Lear, soprano; Martin Katz, piano Pelican 2012, 33.3 RPM (1978). Evelyn Lear & Thomas Stewart Live in Recital
ca. 1981 Machel Melton, piano AA-1637-LPC, 33.3 RPM (1984).
ca. 1984, Netherlands Roberta Alexander, soprano; Tan Crone, piano. Etcetera KTC-1020, 33.3 RPM (1984, Netherlands). Etcetera KTC-1020, CD (2004). Etcetera KTC-2508, CD (2005). Charles Ives Songs
ca. 1986, Großes Festspielhaus Frederica von Stade, soprano; Martin Katz, piano Orfeo C870 1218, CD (1986). Frederica von Stade: Songs from Dorumsgaard, Mahler, Ives, Poulenc: Edinburgh 1976
July 1986, Bear Tracks Studio, Suffern, NY Richard Stoltzman, Jeremy Wall, synthesizers RCA 5944-2 RC, CD (1987). New York Counterpoint
1988, Tedesco Studios, NJ Matt Moran, vibraphone; Adam Good, electric guitar, E-bow; John Hollenbeck, percussion; Oscar Noriega, Alto Saxophone, bass clarinet. CRI CD-2000, CD (2001). Sideshow: Songs of Charles Ives
August 1989, Manhattan Center Studios, New York City, NY Orchestra of St. Luke's; John Adams, conductor; Dawn Upshaw, soprano Elecktra Nonesuch 979249-2, CD (1991). American Elegies
August 22-24, 1989, American Academy & Institute of Arts & Letters Richard Stoltzman, clarinet; Richard Goode, piano; Lucy Chapman Stoltzman, violin RCA 60170, CD (1990). Contrasts
February and March 1991, Maison de Radio-France, France Nicholas Isherwood, bass; Eric Watson, piano Accord 201812, CD (1991). Charles Ives (1874-1954): Melodies
September 17-27, 1991, American Academy of Arts and Letters, New York City, NY Mary Ann Hart, mezzo-soprano; Dennis Helmrich, piano Albany TROY-080, CD (1994). The Complete Songs of Charles Ives, Vol. IV
January 1993, Sound Recording Centre Steurbaut, Ghent, Belgium Charles Van Tassel, baritone; Marien Van Nieukerken, piano Walpurgis/Voxtempris VTP CD92010, CD (1993). René Gailly VTP CD92010, CD (1996). Charles E. Ives: Songs
1994, Studio N Cologne, Cologne, Germany Sigune von Osten, soprano; Armin Fuchs, piano ITM Media ITM-950030, CD (1994). Sigune von Osten: Satie, Ives, Cage
ca. 1994 Chamber Choir of The School of Music, Göteborg University; Gunnar Eriksson Swedish Society Discofil SCD 1057, CD (1994). Mouyayoum
ca. 1998, Wheaton College, Norton, Massachusetts Wheaton College Women's Chorale; Mary Hopper, director Wheaton Conservatory of Music WCWC05CD, CD (1998). O Come Let Us Sing
May 29, 1999- June 2, 1999, Bad Münder, Germany Veronica Lenz-Kuhn, soprano; Tan Crone, piano Thorofon CTH-2406, CD (1999). Charles Ives: Lieder
September 30, October 1-3, 1999, Davies Symphony Hall, San Francisco, CA Thomas Hampson, baritone; San Francisco Symphony; Michael Tilson Thomas, conductor BMG 09026-63703-2, CD (2002). Charles Ives: An American Journey

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