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Bibliography

Moore, David W.

Year: 1968
Complete Citation:
Moore, David W. “John Kirkpatrick: ‘Concord’ Revisited.” The American Record Guide 35, no. 7 (December 1968): 546-547.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Moore, David W. “Guide to Records: Ives - Universe Symphony.” American Record Guide, Vol. 68, No. 5 (2005): 121-122.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Moore, David W. “Guide to Records: Ives - “Songs,” “Instrumental Pieces,” “Piano Pieces.” American Record Guide, Vol. 68, No. 4: 132.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Moore, David W. “Collections: “New Worlds.”” American Record Guide, Vol. 73, No. 5 (2010): 243.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Moore, Douglas Stuart

Year: 1948
Complete Citation:
1948 - Douglas S[tuart] Moore. “Columbia University Festival, Contemporary American Music.” Pan Pipes 41/2 (December): 113.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Moore, John David

Year: 2013
Complete Citation:
Moore, John David. Ravel: Trio; Shostakovich: Trio 1; Ives: Trio. American Record Guide, Vol. 76, No. 1 (2013): 137-138.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Moore, MacDonald Smith

Year: 1980
Complete Citation:
Moore, MacDonald Smith. “Yankee Blues: Musical Culture and American Identity.” Ph.D. diss., New York University, 1980.
Source: Ph. D. Disseration
Reprints:

Moore, MacDonald Smith. <i>Yankee Blues: Musical Culture and American Identity</i>. Bloomington, IN: Indi-ana University Press, 1985.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Moore, Milton

Year: 2010
Complete Citation:
Moore, Milton. “The Day, New London, Conn., Milton Moore Column: Mr. Denk, Meet Mr. Ives.” McClatchy - Tribune Business News, April 25, 2010.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Moor, Paul

Year: 1948
Complete Citation:
Moor, Paul. “On Horseback to Heaven: Charles Ives.” Harper’s Magazine, Vol. 197, No. 1180, September, 1948.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Year: 1950
Complete Citation:
Moor, Paul. “Two Titans.” Theatre Arts XXIV/ii (February 1950): 49-51, 94-95.
Source: Journal
VI. Topical Studies
L. Ives and America

Moore, R.

Year: 2009
Complete Citation:
Moore, R. “Charles Ives Reconsidered.” American Record Guide 72 (2009): 252.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Moore, Ralph Joseph, Jr.

Year: 1954
Complete Citation:
Moore, Ralph Joseph, Jr. “The Background and the Symbol: Charles E. Ives, a Case Study in the History of American Cultural Expression.” Senior Essay, American Studies Department, Yale College, 1954.
Notes:

Unpublished

Source: Unpublished senior thesis
VIII. Dissertations, Theses, and Baccalaureate Essays

Moore, Robert A.

Year: 2006
Complete Citation:
Moore, Robert A. “Ives: Songs.” American Record Guide, Vol. 69, No. 1 (2006): 134.
Source: Journal (review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Moore, Robert A. Guide to Records - Ives: Songs. American Record Guide, Vol. 70, No. 3 (2007): 114.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Mörchen, Raoul

Year: 2009
Complete Citation:
Mörchen, Raoul. “Bücher: Schlechte und wahre Unendlichkeit.” Dissonanz (2009): 56-57.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Morehouse, Christopher

Year: 2005
Complete Citation:
Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.
Notes:

Discusses the various influences of Ives on Eric Stokes in his composition, "The Continental Harp and Band Report."

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morelli, Giovanni

Year: 1974
Complete Citation:
Morelli, Giovanni. Review of L'America musicale di Charles Ives, by Gianfranco Vinay. Rivista Italiana di Musicologia 9 (1974): 316-322.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Morgan, Phillip

Year: 1967
Complete Citation:
Morgan, Phillip. “Three contemporary trios for piano, violin, and violoncello.” D.M.A. thesis, University of Rochester, 1967.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morgan, Robert

Year: 1974
Complete Citation:
Morgan, Robert. “Let's Hear It for Charlie Ives!” High Fidelity/Musical America 24/10, October 1974, 79-81.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Morgan, Robert P.

Year: 1973
Complete Citation:
Morgan, Robert P. “Rewriting Music History: Second Thoughts on Ives and Varèse.” Musical Newsletter 3, no. 1 (January 1973): 3-12, and 3, no. 2 (April 1973): 15-23, 28.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers