Image
Complete Citation:
Morgan, Robert P. “Let’s Hear It from Charlie Ives!” High Fidelity 24, no. 10 (October 1974): 79-81.
Bibliography
Genres
Morgan, Robert P.
Year: 1974
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Morgan, Robert P. “The Recordings of Charles Ives’s Music.” High Fidelity 24/10, October 1974, 70-76.Source: Magazine
II. Reference Materials
D. Discographies
D. Discographies
Year: 1974
Complete Citation:
Morgan, Robert P. “Charles Ives.” Stagebill 2/2, October 1974, 6-11.Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Year: 1975
Complete Citation:
Morgan, Robert P. Review of Charles Ives and His America, by Frank R. Rossiter. Yearbook for Inter-American Musical Research 11 (1975): 225-228.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1976
Complete Citation:
Morgan, Robert P. “American Music and the Hand-Me-Down Habit.” High Fidel-ity, June 1976, 70-72.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1977
Complete Citation:
Morgan, Robert P. “Spatial Form in Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 145-158. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Year: 1978
Complete Citation:
Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” 19th-Century Music Vol. 2 (1978), pp. 72-81.Source: Journal
Reprints:
Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” In <i>Charles Ives and the Classical </i>Tradition, edited by Geoffrey Block and J. Peter Burkholder, 75-86. New Haven, CT: Yale University Press, 1996. * Morgan, Robert P. “Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” In <i>Music Theory, Analysis, and Society: Selected Essays</i>, 171-180. Surrey, England: Ashgate, 2015.
VI. Topical Studies
Year: 1990
Complete Citation:
Morgan, Robert P. “Charles Ives und die europäische Tradition.” In Bericht über das Internationale Symposion "Charles Ives und die amerikanische Musiktradition bis zur Gegenwart," Köln 1988, edited by Klaus Wolfgang Niemöller, Manuel Gervink, and Paul Terse, 17--36. Kölner Beiträge zur Musikforschung, 164. Regensburg, Germany: Gustav Bosse, 1990.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Morgan, Robert. "Charles Ives and American Music." In 20th-century Music. New York, NY: W.W. Norton, 1991, 137-148.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1992
Complete Citation:
Morgan, Robert P. “General William Booth enters into heaven.” In Anthology of twentieth-century music. New York, NY: W.W. Norton, 1992.X. Editing Practices and Articles Regarding Published Editions
C. Anthology Selections
C. Anthology Selections
Year: 2015
Complete Citation:
Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.Source: Chapter in Book
Reprints:
Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In <i>Music theory, analysis, and society: selected essays</i>. Surrey, England: Ashgate, 2015.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Morgan, Robert P., Jan Swafford, Gayle Sherwood, Tom C. Owens.
Year: 1998
Complete Citation:
Panel: Robert P. Morgan (chair), Jan Swafford, Gayle Sherwood, Tom C. Owens. Panel at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Festival Panel
Reprints:
<i>College Music Symposium</i> 39 (1999) 39: 27--42.
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Morgerstern, J.
Year: 1954
Complete Citation:
Morgerstern, J. “About -- Odd Music: The Jew's Harp Return Recalls Auto Horns, Brake Drums and Other ‘Instruments.’” The New York Times, February 28, 1954, SM59.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Morin, Alexander
Year: 2002
Complete Citation:
Morin, Alexander. “Charles Ives.” In Classical music: the listener's companion. San Francisco, CA: Backbeat Books; Berkeley, CA, 2002.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Morley, Christopher
Year: 2003
Complete Citation:
Morley, Christopher. “Review: Ives Back in the Spotlight; CBSO Symphony Hall: FIRST Edition.” Birmingham Post, February 27, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Moross, Jerome
Year: 1976
Complete Citation:
Moross, Jerome. “Some Thoughts On Ives.” In South Florida's Historic Ives Festival, 1974-1976, 38. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Morris, Harold
Year: 1932
Complete Citation:
Morris, Harold. “Fourth of July.” Contemporary American Music [Rice Institute, Houston] (April 1932): 5.Source: Conference Publication
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Morris, Linda
Year: 2013
Complete Citation:
Morris, Linda. “Musical Alchemist: CLASSICAL.” Sydney Morning Herald, August 17, 2013.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Morris, William J.
Year: 1966
Complete Citation:
Morris, William J. “The Danbury Scott-Fanton Museum and Historical Society.” History News, vol. 21, no. 6 (1966): 128-131.Source: Magazine
II. Reference Materials
C. Library and Institutional Collections
C. Library and Institutional Collections
Morrison, Bryce
Year: 2004
Complete Citation:
Morrison, Bryce. “Reviews: The Music Lover’s Guide to the Best Discs This Month - Instrumental: Barber - Piano Sonata; Ives - Piano Sonata, No. 2, “Concord, Mass.: 1840-60.”” Gramophone, Vol. 82 (2004): 78.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews