Metzmacher, Ingo
Year: 2005
Complete Citation:
Ingo Metzmacher. “Charles Edward Ives.” In Keine Angst vor neuen Tonen: Eine Reise in die Welt die Musik, 36-42. Berlin, Germany: Rowohlt Verlag, 2005.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 2005
Complete Citation:
Metzmacher, Ingo. “Zeit (Charles Ives; Gustav Mahler).” In Keine Angst vor neuen Tönen: eine Reise in die Welt der Musik. Berlin, Germany: Rowohlt Verlag, 2005.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Meyer, Alfred H.
Year: 1932
Complete Citation:
Meyer, Alfred H. “Review of Ives’ songs performed at the Yaddo Festival.” Modern Music, Vol. 9, No. 4 (May 1932).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
Year: 1932
Complete Citation:
Meyer, Alfred H. “Yaddo—a May Festival.” Modern Music 9 (May-June 1932): 172-176.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1932
Complete Citation:
Meyer, Alfred H. “Composers Who Spoke Well in Varying Voices.” Boston Evening Transcript, May 6, 1932, 8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Meyer, Alice
Year: 2010
Complete Citation:
Meyer, Alice. “Reviews: Music Reviews - “Three Songs.”” The Clarinet, Vol. 37, No. 3 (2010): 74-75.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Meyer, Felix
Complete Citation:
Meyer, Felix. “Anmerkungen zu Ives’ Sprach- und Denkstil.” In Charles Ives, Ausgewählte Texte, edited by Werner Bärtschi, 19-26. Zurich, Switzerland: Atlantis Musikbuch Verlag, 1993.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1985
Complete Citation:
Meyer, Felix. “Anmerkungen zu Ives’ Sprach- und Denkstil.” In Charles Ives: Ausgewählte Texte, edited by Werner Bärtschi, 19-26. Zürich, Switzerland: Atlantis Musikbuch-Verlag, 1985.Notes: [Thoughts on Ives’ Writing and Thinking Style]
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1991
Source: Book
Reprints: Meyer, Felix. <i>The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives</i>. Publikationen Der Schweizerischen Musikforschenden Gesellschaft, vol. 34. Bern, Switzerland: Haupt, 1991.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.Source: Book
IV. Individual Studies by Genre
E. Songs
Meyer, Leonard B.
Year: 1957
Complete Citation:
Meyer, Leonard B. Emotion and Meaning in Music. Chicago, Illinois: The University of Chicago Press, 1957.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1967
Complete Citation:
Meyer, Leonard B. Music, the Arts, and Ideas: Patterns and Predic-tions in Twentieth -Century Culture, 200. Chicago, IL: University of Chicago Press, 1967.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Mickelsen, William Cooper
Year: 1970
Complete Citation:
Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Middleton, Richard
Year: 1974
Complete Citation:
Middleton, Richard. “Ives and Schoenberg: An English View.” Saturday Review World, September 21, 1974, 39-41.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Midgette, Anne
Year: 2005
Complete Citation:
Midgette, Anne. “A Slice of Americana with a Big Scoop of Ives.” The New York Times, June 13, 2005, E7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Mihura, Brian L.
Year: 1982
Complete Citation:
Mihura, Brian L. “The Great Jew's Harp Hunt of 1954.” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 44-48.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Mikhashoff, Yvar
Complete Citation:
Mikhashoff, Yvar. A thematic survey of the first movement (Emerson) of the Sonata no. 2, “Concord, Mass. 1840-1860” of Charles Ives. Unpublished manuscript. Yvar Mikhashoff Papers. Mss. 10, Folder 6. Music Library, University at Buffalo. 198?.IV. Individual Studies by Genre
C. Keyboard Works
Mills, Charles
Year: 1942
Complete Citation:
Mills, Charles. “Over the Air.” Modern Music (January-February 1942) 19/2: 134-138.Notes: CBS weekly series, “Milestones in American Music.”
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances