Image
Complete Citation:
Mead, Rita H. “Cowell, Ives, and New Music.” Musical Quarterly 66, No. 4 (October 1980).
Bibliography
Genres
Mead, Rita H.
Year: 1980
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1981
Complete Citation:
Mead, Rita H. Henry. “Cowell’s “New Music,” 1925-36: The Society, the Music Editions and the Recordings.” Studies in Musicology No. 40. Ann Arbor, MI: UMI Research Press, 1981.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1982
Complete Citation:
Mead, Rita H. “Henry Cowell’s New Music.” The Journal of Musicology 1, No. 4 (October 1982).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1983
Complete Citation:
Mead, Rita H. “The Amazing Mr. Cowell.” American Music 1/4 (Winter 1983): 63-89.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Meelberg, Vincent
Year: 2006
Complete Citation:
Meelberg, Vincent. 2006. New Sounds, New Stories: Narrativity in Contemporary Music. Amsterdam, Netherlands: Leiden University Press, 2006.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Méfano, Paul
Year: 2011
Complete Citation:
Méfano, Paul. “Méfano, Paul (1937).” In Three Questions for Sixty-Five Composers, edited by Bálint András Varga, 174-176. Woodbridge, United Kingdom: Boydell and Brewer, 2011.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Mehl, Kenneth B.
Year: 1974
Complete Citation:
Mehl, Kenneth B. “A stylistic analysis and comparison of four settings of Psalm 150: Franck, Bruckner, Ives and Hanson.” M.M. thesis, Southern Illinois University Edwardsville, 1974.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Mehring, Frank
Year: 2002
Complete Citation:
Mehring, Frank. “‘Unpremeditated Music’: Thoreaus Avantgardistische Vorstöße in Eine Neudefinition Von Musik.” Amerikastudien/ American Studies 47/1 (2002): 39-54.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Year: 2003
Complete Citation:
Mehring, Frank. “Sphere melodies: die Manifestation transzendentalistischen Gedankenguts in der Musik der Avantgardisten Charles Ives und John Cage.” Series: M & P Schriftenreihe für Wissenschaft und Forschung. Stuttgart, Germany: Metzler, 2003.Source: Book
VI. Topical Studies
Year: 2004
Complete Citation:
Mehring, Frank. “Kontextualisierte Kreativitat: Charles Ives’ Ver-bindungen zum amerikanischen Transzendentalismus aus der Perspektive seiner Biographen.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 179-187. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Meine, Sabine
Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1997
Complete Citation:
Meine, Sabine. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Neue Zeitschrift fur Musik 158, no. 2 (July-August 1997): 75.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1997
Complete Citation:
Meine, Sabine. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Neue Zeitschrift für Musik 158/2, July-August 1997, 74-75.Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Meister, Barbara
Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.Notes:
Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Melady, Mark
Year: 1975
Complete Citation:
Melady, Mark. “Inns, Ives Win Prizes for Books.” The Hartford Courant, May 11, 1975, 3A.Source: Newspaper
VI. Topical Studies
V. Awards
V. Awards
Melick, Jennifer
Year: 2013
Complete Citation:
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Mellers, Wiflrid
Year: 1969
Complete Citation:
Mellers, Wilfrid. Review of Charles Ives and His Music, by Henry and Sidney Cowell (2nd edition]. The Musical Times 110 (November 1969): 1144.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Mellers, Wilfrid
Year: 1939
Complete Citation:
Mellers, Wilfrid. “Music in the Melting Pot: Charles Ives and the Music of the Americas.” Scrutiny 7 (March 1939): 390-403.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Year: 1943
Complete Citation:
Mellers, Wilfrid. “American Music (An English Perspective).” Kenyon Review 5/3 (Summer 1943): 357-375.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1950
Complete Citation:
Mellers, Wilfrid. “American Music and an Industrial Community.” In Music and Society, 191-203. New York: Roy Publishers, 1950.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions