Image
Complete Citation:
Mark, Michael. “Collections: “James Levine Tribute.”” American Record Guide, Vol. 67, No. 5 (2004): 225-226.
Bibliography
Genres
Mark, Michael
Year: 2004
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Marsh, Robert C.
Year: 1967
Complete Citation:
Marsh, Robert C. The Cleveland Orchestra. Cleveland, OH: World Pub-lishing, 1967.Notes:
Cites performances of From the Steeples and the Mountains, Scherzo: Over the Pavements,Symphony No. 2, The Unanswered Question, and Variations on “America” (orchestrated by William Schuman). Numerous passing remarks about Ives, especially the re-pertoire performed by the Cleveland Orchestra.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Marshall, Bryan
Year: 2003
Complete Citation:
Marshall, Bryan. “Charles Ives and the absent presences of life and work.” Ph.D. diss., Cardiff University, 2003.Source: Ph.D. Dissertation
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Marshall, Dennis
Complete Citation:
Boatwright, Howard. “Charles Ives' Quotations: Manner or Substance?.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 13-24. New York, NY: W.W. Norton, 1971.VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1971
Complete Citation:
Marshall, Dennis. “Charles Ives’ Quotations: Manner or Substance?” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone. New York, NY: W.W. Norton, 1971.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Marshall, Ingram
Year: 2006
Complete Citation:
Marshall, Ingram. “John Adams on conducting Ives.” In The John Adams reader: essential writings on an American composer, edited by Thomas May, 264-270. Pompton Plains, NJ: Amadeus, 2006.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Marstal, Henrik
Year: 1994
Complete Citation:
Marstal, Henrik. “Mahler og Ives: modernitetsaspekter: kollage-og citatanvendelser i udvalgte værker af Gustav Mahler og Charles E. Ives.” Thesis, Musikvidenskabeligt Institut, Københavns Universitet, 1994.Source: Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Martin, J.
Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite: Balanchine's Setting of Pieces by Ives Bows at Center - Repetitions also seen.” The New York Times, September 15, 1954, 38.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Martin, John
Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite.” The New York Times. September 15, 1954: 38.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1955
Complete Citation:
Martin, John. “Ballet: A Magnificent ‘Weirdie’— Troupe at City Center Dances ‘Ivesiana’—New Section Added to Balanchine Work.” The New York Times, March 7, 1955, 22.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Martin, Michael Rheta
Year: 1965
Complete Citation:
Martin, Michael Rheta. The Arts: A Guide to Painting, Sculpture, Archi-tecture, Music and Theater. Indianapolis, IN: Bobbs--Merrill, 1965.Notes:
A para-graph with a sketch by Leo R. Summers (after a photograph by Frank Gerratana).
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Martins, Peter, choreographer
Year: 1978
Complete Citation:
Peter Martins, choreographer. Calcium Light Night (1977); ballet; New York City Ballet.Music: The See'r, The New River, Incantation-, At Sea, Ann Street; Gyp the Blood or Hearst! Which is Worst?-, Hallowe'en-, Calcium Light Night. Prf: 1977 November 15: Spokane, WA. 1978 January 19: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Martin, Robert
Year: 1996
Complete Citation:
Martin, Robert. “American Musical Life: 1890-1914.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 28-29. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
L. Ives and America
L. Ives and America
Martin, Warren Charles
Year: 1974
Complete Citation:
Martin, Warren Charles. “Techniques of rhythmic variation in the songs for solo voice and piano written by Charles Ives in 1921.” Ph.D. diss., East Texas State University, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Martin, William R. and Julius Drossin
Complete Citation:
Martin, William R. and Julius Drossin. Charles Ives, Edgard Varèse and Elliott Carter. Englewood Cliffs, NJ: Prentice-Hall, 1980.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Maske, Ulrich
Year: 1971
Complete Citation:
Maske, Ulrich. “Charles Ives in seiner Kammermusik für drei bis sechs Instrumente.” In Kölner Beiträge zur Musikforschung, Vol. 64. Regensburg, Germany: G. Bosse, 1971.Source: Book
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Mason, Daniel Gregory
Complete Citation:
Mason, Daniel Gregory. Contemporary Composers. New York, New York: The Macmillan Company, 1918.Source: Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Mason, Redfern
Year: 1933
Complete Citation:
Mason, Redfern. “Recital Made Up of Moderns.” San Francisco Examiner. April 26, 1933, 17.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Masse, Thomas Gilmore
Year: 1997
Complete Citation:
Masse, Thomas Gilmore. “Revisions, Chronology and Redating of the Largo of Charles Ives.” Clarinet 24/3 (1997): 36--41.Notes:
Regarding the Largo for violin, clarinet, and piano.
Source: Journal
VI. Topical Studies
C. Chronology
C. Chronology
Masselos, William
Year: 1954
Complete Citation:
Masselos, William. “Preface.” In Charles E. Ives, Sonata no. 1 for Piano, edited by Paul C. Echols with additional corrections by John A. Buchanan and Jerry E. Bramblett. New York, NY: Peer International, 1954, 1979.Source: Preface to Score
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works