McDonaugh, Michael
Year: 2000
Complete Citation:
McDonaugh, Michael. “Concert Reviews: Outsiders in the House.” 21st Century Music, Vol. 7, No. 9 (2000): 24-25.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
McGinness, John
Year: 2006
Complete Citation:
McGinness, John. “How Modernist Criticism Failed Charles Ives.” Music Theory Spectrum 28/1 (Spring 2006): 99-109.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
McGinness, John. 2006. “Essay: Has Modernist Criticism Failed Charles Ives?” Music Theory Spectrum 28: 99-109.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
McGregor, Andrew
Year: 2002
Complete Citation:
McGregor, Andrew. “Andrew McGregor's Discs of the Month.” BBC Music Magazine, Vol. 10, No. 10 (2002): 57.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
McHard, James L.
Year: 2006
Complete Citation:
McHard, James L. Charles Ives. In The Future of Modern Music: A Vibrant New Modernism in Music for the Future. Livonia, MI: Iconic Press, 2006.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
McLellan, J.
Year: 1974
Complete Citation:
McLellan, John. “Focusing on Charles Ives.” The Washington Post, September 8, 1974, E6.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
McLellan, Joseph
Year: 1974
Complete Citation:
McLellan, Joseph. “Unanswered Questions: Abounding Unanswered Questions about Charles Ives.” The Washington Post, October 20, 1974, E1.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
Year: 1975
Complete Citation:
McLellan, Joseph. “Centennial: Schoenberg and Ives: Recordings Two Record Centennials: Schoenberg and Ives.” The Washington Post, August 24, 1975, 145.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
Year: 1993
Complete Citation:
McLellan, Joseph. “Classical Recordings: A Courier for Ives: The Albany Records Compilation.” The Washington Post, January 3, 1993, G4.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1995
Complete Citation:
McLellan, Joseph. “Sharon Mabry’s Revamped Verse: Final Edition.” The Washington Post, June 20, 1995.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
McLellan, Joseph. “Classical Music News: In Cleveland, All Ears on Ives.” The Washington Post. 1998: G2.Source: Newspaper (concert review)
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
McLendon, James Wm., Jr.
Year: 1974
Complete Citation:
McLendon, James William, Jr. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as Theology: How Life Stories Can Remake Today’s Theology, 140-169. Nashville, TN: Abingdon Press, 1974.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
McMillan, Thomas
Year: 1968
Complete Citation:
McMillan, Thomas. “Rhythms of Charles Ives.” In 20th century orchestral snare drum studies. Glenview, IL: Creative Music, 1968.Source: Book
V. General Music Studies
McNally, Owen
Year: 1999
Complete Citation:
McNally, Owen. “A State of Nurture and Chaos: Statewide Edition.” The Hartford Courant, December 12, 1999.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
McNeely, Tom
Year: 1997
Complete Citation:
McNeely, Tom. Drawing, watercolor on watercolor paper (17 x 23.375 inches), 1997. United States Post Office, 1997.Notes: Originally appeared on a first- day cover of the United States postage stamp by Fleetwood.
Source: Watercolor
XVI. Photographs and Artwork
B. Artwork
McPhee, Colin
Year: 1939
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 16/4 (May--June 1939): 264--267.Notes: An announcement of the establishment of the Arrow Music Press that will now issue Cos Cob Press publications.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1941
Complete Citation:
McPhee, Colin. “Records and Scores.” Modern Music 18/4 (May--June 1941): 267--269.Notes: Lists contemporary Americans whose works arc recorded by Columbia and RCA. "Why no Ives, no Copland, no Harris—to mention a few who have done something significant in piano music.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1943
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 20/2 (January-February): 126-129.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Mead, Andrew
Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.Source: Journal
VI. Topical Studies
R. Performance Approaches
Mead, Ernest
Year: 1954
Complete Citation:
Mead, Ernest. “Ives and His Music: Life of Composer Timely, Absorbing.” Richmond News-Leader (1954).Source: Newspaper
III. Book-Length Studies
C. Book Reviews