Image
Complete Citation:
Slonimsky, Nicolas. “Ives, Charles Edward.” In Baker's Biographical Dic-tionary of Musicians. 8th rev. ed. New York, NY: Schirmer, 2001.
Bibliography
Genres
Slominsky, Nicolas
Year: 2001
Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Year: 2005
Complete Citation:
Slominsky, Nicolas. Nicolas Slonimsky: writings on music, Volume 3: Music of the modern era. New York, New York; London, England: Routledge, 2005.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Slominsky, Nicolas and Thomas Bertonneau
Year: 1979
Complete Citation:
Slominsky, Nicolas and Thomas Bertonneau. Muses and lexicons. Oral history transcript. Oral History Program, University of California, Los Angeles, Los Angeles, California, 1979.Source: Book
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Slonimsky, Nicholas
Year: 1975
Complete Citation:
Slonimsky, Nicholas. “Charles Ives As I Remember Him.” The Choral Journal 15, no. 5 (1975): 15-16.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Slonimsky, Nicolas
Year: 1931
Complete Citation:
Slonimsky, Nicolas. Program Notes. New Music Society Concert. September 3, 1931.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Year: 1948
Complete Citation:
Slonimsky, Nicolas. “A Thing or Two about Music.” In Prophet of Music to Come, 207-210. New York, NY: Allen, Towne & Heath.Source: Chapter in Book
Reprints:
Slonimsky, Nicolas. “A Thing or Two about Music.” In <i>Slonimsky's Book of Musical Anecdotes</i>, edited by Electra Slonimsky Yourke, 207-210. New York, NY: Routledge, 2002.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Slonimsky, Nicolas. “Sur la musique Americaine.” In L'Oeuvre du XXe siecle, 29. Paris, France: Congress for Cultural Freedom, 1952.Source: Journal/Conference?
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1953
Complete Citation:
Slominsky, Nicolas. Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven’s Time. New York, NY: Coleman-Ross Company, 1953.Source: Book
Reprints:
Slominsky, Nicolas. <i>Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven's Time</i>, 165. Second Edition. Seattle, WA: University of Washington Press, 1965. * Slominsky, Nicolas. <i>Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven's Time</i>. Expanded Edition, with foreword by Peter Schickle. New York, NY: W.W. Norton, 2000.
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Year: 1975
Complete Citation:
Slonimsky, Nicolas. “Charles Ives: The Man and His Music.” Choral Jour-nal 15/5 (January 1975): 15-16.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1976
Complete Citation:
Slonimsky, Nicolas. “Working with Ives.” Program booklet of the South Florida Ives Festival, 1974-76.Source: Program Booklet
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1986
Complete Citation:
Slonimsky, Nicolas. “My Adventures in American Music.” Keyboard Classics 6/4 (July-August 1986): 8-10.Notes:
Mostly reminiscences of perfor-mances of Orchestral Set No. 1: Three Places in New England.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1988
Complete Citation:
Slonimsky, Nicolas. “Three Places in New England.” Symphony Maga-zine 39/2 (1988): 28-30.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Slonimsky, Nicolas. Perfect Pitch: A Life Story. Oxford, United Kingdom: Oxford Uni-versity Press, 1988.Notes:
Expanded edition adds a letter to Slonimsky’s wife of March 17, 1932 (247) and “Ives” (279-280). Original proposed title was Failed Wunderkind: A Rueful Autopsy. Recalls meeting Ives and working with him on Three Places in New England for con-certs in Boston, New York, Havana, Paris, and Berlin.
Source: Book
Reprints:
Slonimsky, Nicolas. <i>Perfect Pitch: A Life Story</i>, edited by Electra Slonimsky Yourke. Expanded edition. New York, NY: Schirmer Trade Books, 2002.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1989
Complete Citation:
Slonimsky, Nicolas. Lectionary of Music: An Entertaining Reference and Reader’s Companion. New York, NY: McGraw-Hill, 1989.Notes:
Numerous cita-tions to Ives’s compositions as examples.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
B. Encyclopedia Entries
Sloper, L.A.
Year: 1948
Complete Citation:
Sloper, L. A. “The Boston Symphony Season: Shapero's Symphony Brazilian Composers Charles Ives.” The Christian Science Monitor. May 8, 1948, 8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1948
Complete Citation:
Sloper, L.A. “Ives’ Orchestral Set Heard at Symphony.” Christian Science Monitor, February 14, 1948, 7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Slottow, Stephen
Year: 2003
Complete Citation:
Slottow, Stephen. “Wayward Compositional Procedure in the Music of Carl Ruggles.” Newsletter - Institute for Studies in American Music XXXIII, no. 1 (October 2003).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Slottow, Stephen P.
Year: 2009
Complete Citation:
Slottow, Stephen P. “A vast simplicity: the music of Carl Ruggles.” Hillsdale, NY: Pendragon Press, 2009.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Small, Christopher
Year: 1973
Complete Citation:
Small, Christopher. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Music in Education 37/362 (1973): 187-188.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1973
Complete Citation:
Small, Christopher. “Words on Music—Ives and Varese.” Music in Education 37/362 (1973): 187-188.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers