Smith, Catherine Parsons
Year: 1994
Complete Citation:
Smith, Catherine Parsons. “‘A Distinguishing Virility’: Feminism and Mod-ernism in American Art Music.” In Cecilia Reclaimed: Feminist Perspectives on Gender and Music, edited by Susan C. Cook and Judy S. Tsou, 90-106. Urbana, IL: University of Illinois, 1994.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1994
Complete Citation:
Smith, Catherine Parsons. “‘A Distinguished Virility’: Feminism and Modernism in American Art Music.” In Cecilia Reclaimed: Feminism Perspectives on Gender and Music, edited by Susan C. Cook and Judy S. Tsou, 94-95. Urbana, Illinois: University of Illinois Press, 1994.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Smith, David Stanley
Year: 1930
Complete Citation:
Smith, David Stanley. “A Study of Horatio Parker.” Musical Quarterly 16 (April, 1930): 153-163.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Smith, Delos
Year: 1966
Complete Citation:
Smith, Delos. “Both Ives, Mahler Works Recorded.” The Austin Statesman, February 9, 1966, 34. Feb 9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Smith, Gregg
Year: 1974
Complete Citation:
Smith, Gregg. “Charles Ives and His Music for Chorus.” The Choral Journal, vol. 15, no. 3 (1974): 17-20.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1974
Complete Citation:
Smith, Gregg. “Charles Ives: The Man and His Music; Charles Ives and His Music For Chorus.” Choral Journal 15/3 (November 1974): 17-20.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Smith, Helen C.
Year: 1975
Complete Citation:
Smith, Helen C. “Ives’ Work a Standout in Symphony Program.” The Atlanta Constitution, November 22, 1975, 9B.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Smith, J.H.
Year: 1974
Complete Citation:
Smith, J.H. “Bernstein to Lead Ives Concert July 4.” The Hartford Courant, 1974, 32.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Smith, Jane Stuart and Betty Carlson
Year: 1987
Complete Citation:
Smith, Jane Stuart and Betty Carlson. “Charles Ives.” In The Gift of Music: Great Composers and Their Influences. Westchester, IL: Crossway Books, 1987.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Smith, Ken
Year: 1996
Complete Citation:
Smith, Ken. “Bard Festival: Charles Ives: The Power to Offend.” American Record Guide (1996 November/De-cember) 59/6: 36-38.Source: Journal
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2004
Complete Citation:
Ken Smith. “The Principal of Chaos.” Gramophone 82/981 (July 2004): 38--41.Notes: A rather comprehensive review of recordings of the symphonies [D078. D079, D083, D085, D097, D098, D116, D156, D157, D217, D306, D333, D351, D365, D383, D440, D446, D448, D457, D467, D560, D583] to determine preferred ones. Includes a drawing by Neale Osborne.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Smith, Kenneth M.
Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Smith, Moses
Year: 1947
Complete Citation:
Koussevitzky, Moses Smith. Koussevitzky. New York, NY: Allen, Towne & Heath, 1947.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Smith, Norman E.
Year: 1986
Complete Citation:
Smith, Norman E. March Music Notes, 219-221. Lake Charles, LA: Program Note Press, 1986.Notes: Brief biography to accompany notes for Country Band March, March VI: Here's to Good Old Yale, Omega Lambda Chi, and A Son of a Gambolier.
Source: Book
V. General Music Studies
C. Other
Year: 2000
Complete Citation:
Smith, Norman E. “Ives, Charles.” In Program notes for band. Lake Charles, LA: Program Note Press, 2000.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Smith, Rebecca E.
Year: 2012
Complete Citation:
Smith, Rebecca E. “Exploring the multi-generational influence of American ragtime music through the works of Charles Ives, William Walton and William Bolcom.” B.A. honors thesis, Western Australian Academy of Performing Arts, Edith Cowan University, 2012.Source: B.A. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Smith, Rollin
Year: 2013
Complete Citation:
Smith, Rollin. “Music Review: Charles E. Ives: Complete Organ Music.” The American Organist, Vol. 47, No. 1 (2013): 82-83.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Smith, Sid
Year: 1998
Complete Citation:
Smith, Sid. “Ives Inversion Beppie Blankert Lets the Music Define the Movement: North Sports Final Edition.” Chicago Tribune, April 18, 1998.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Smith, Steve
Year: 2002
Complete Citation:
Smith, Steve. “The Classical Score: American Maverick.” Billboard: The International Newsweekly of Music, Video and Home Entertainment, Vol. 114, No. 6 (2002): 18.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Smith, Steve; Holden, Stephen; Schweitzer, Vivien
Year: 2009
Complete Citation:
Smith, Steve, Stephen Holden, and Vivien Schweitzer. “Recordings.” 21st Century Music, Vol. 16, No. 3 (2009): 12.Source: Journal (recording review or list)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
