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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Sokolow, Anna and Ilene Fox

Year: 1983
Complete Citation:
Sokolow, Anna and Ilene Fox. “Scenes from the music of Charles Ives.” New York, NY: Dance Notation Bureau, 1983.
Notes:

Choreography from 1971.

Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sokolow, Anna, choreographer

Year: 1976
Complete Citation:
Anna Sokolow, choreographer. Ellis Island (1976); ballet; Juilliard Dance Ensemble.
Music: excerpts from Sonata No. 2, "Concord, Mass., 1840--1860” for piano; Set No. 3; Sonata No. 3 for violin and piano; The Rainbow; Hymn, Tone Roads No. 1.
Prf: 1976 May 7: New York; Juilliard Theater; Andrew Rangell, piano.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1988
Complete Citation:
Anna Sokolow, choreographer. Scenes from the Music of Charles Ives (1988); ballet; Anna Sokolow Company.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Sole, Kenneth Gale

Year: 1976
Complete Citation:
Sole, K. G. A Study and Performance of Five Psalm Settings and “The Celestial Country” by Charles Edward Ives.” D.M.A. diss., University of Southern California, 1976.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Solie, Ruth A., ed.

Year: 1995
Complete Citation:
Solie, Ruth A. “Charles Ives and gender ideology.” In Musicology and difference: gender and sexuality in music scholarship. Berkeley, CA: University of California Press, 1995.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Solomon, Maynard

Year: 1985
Complete Citation:
Solomon, Maynard. “Charles Ives: Some Psychonalytic Implications.” Presented at the New York Psychoanalytic Society, New York, New York, December 10, 1985.
Notes:

This presentation was a response to Stuart Feder’s “Calcium Light Night and Other Early Memories of Charles Ives,” and is extant as an unpublished mansucript.

Source: Conference Presentation
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Solomon, Maynard. “Communications.” Journal of the American Musico- logical Society 42/1 (1989): 209-218.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Somervel, Stephen

Year: 1931
Complete Citation:
Somervel, Stephen. “Chamber Orchestra of Boston.” Boston Herald. January 26, 1931, 12.
Source: Newspaper
Reprints:

Somervel, Stephen. “Chamber Orchestra of Boston.” In <i>Charles Ives and His World</i>, compiled by Geoffrey Block and edited by J. Peter Burkholder, 299. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings

Somigli, P.

Year: 2002
Complete Citation:
Somigli, Paolo. “Recensioni,” Reviews of Ives: ‘Concord Sonata’ by Geoffrey Block, Charles Ives and His World by J. Peter Burkholder, and Prima della sonata translated by Aloma Bardi. Saggiatore Musicale, Vol. 9.
III. Book-Length Studies
C. Book Reviews

Somigli, Paolo

Year: 1996
Complete Citation:
Paolo Somigli. Review of Charles Ives and His World Festival. Il saggiatore musicale (2002) 9/1-2: 265--270.
Source: Journal
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1997
Complete Citation:
Somigli, Paolo. Review of Prima della Sonata, translated and edited by Aloma Bardi. II saggiatore musicale 9/1-2 (2002): 265-270.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2002
Complete Citation:
Paolo Somigli. Review of Prima della Sonata. II saggiatore musicale 9/1-2 (2002): 265--270.
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews
Year: 2002
Complete Citation:
Somigli, Paolo. II saggiatore musicale 9/1-2 (2002): 265-270.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Sommers, Pamela

Year: 1984
Complete Citation:
Sommers, Pamela. “Celebrating Charles Ives.” The Washington Post. June 29, 1984: WP Company LLC d/b/a The Washington Post, Washington, D.C, 1984.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sonntag, Brunhilde

Year: 1977
Complete Citation:
Sonntag, Brunhilde. “Untersuchungen zur Collagetechnik in der Musik des 20. Jahrhunderts, Regensburg 1977.” Perspektiven z. Musikpädagogik und Musikwissenschaft, Regensburg (1977).
Source: Journal
V. General Music Studies
B. Special Issue Journals

Sonntag, Dawn Lenore

Year: 2000
Complete Citation:
Sonntag, Dawn Lenore. “A recital of art songs by early twentieth-century composers.” M.A. thesis, Antioch University, 2000.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Souster, Tim

Year: 1969
Complete Citation:
Souster, Tim. Review of Essays Before a Sonata and Other Writings, by Charles Ives, edited by Howard Boatwright. Tempo 89 (Summer 1969): 34-35.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Soutamire, Albert

Year: 1976
Complete Citation:
Soutamire, Albert. “Reviewed Works: Charles Ives and His America by Frank R. Rossiter; Charles and the American Mind by Rosalie Sandra Perry.” The American Historical Review, vol. 81, no. 5 (December 1976): 1264.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Spackman, S. G. F.

Year: 1986
Complete Citation:
Spackman, S. G. F. “The American Musical Avant-Garde and Europe.” In European Contributions to American Studies 10 (1986): 189-202.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers