Stieglitz-Goffre, Anne-Marie
Year: 1982
Complete Citation:
Stieglitz-Goffre, Anne-Marie. “Musiques festives en Crète et dans les Cyclades aujourd'hui. Réflexions sur l’ évolution des performances, du comportement des auteurs et sur les contenus musicaux partir d’observations sur la pan gyrique religieux.” L’École des hautes études en sciences sociales, 1982.Source: ?
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Stiller, Andrew
Year: 1986
Complete Citation:
Stiller, Andrew. “Who Owns American Music?” Opus 3/1 (December 1986): 18, 60.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1991
Complete Citation:
Stiller, Andrew. “Recordings - Charles Ives’ Sonatas for Violin and Piano: 1-4 (Complete) performed by Gregory Fulkerson and Robert Shannon.” Musical America, Vol. 111, No. 5 (1991): 46.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Stirn, J.
Complete Citation:
Stirn, J. “Listening to the Fourth of July.” South China Morning Post, July 4, 1974, 46.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Stoddard, Hope
Year: 1951
Complete Citation:
Stoddard, Hope. “Music in Connecticut.” International Musician (March 1951).Source: Journal
VI. Topical Studies
L. Ives and America
Stojanovic, Gordana
Year: 1972
Complete Citation:
Stojanovic, Gordana. “The study of polyphony and rhythm in selected works by Charles Ives.” M.A. Thesis, University of California, San Diego, 1972.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Stokowski, Leopold and Brooks Shepard
Year: 1964-1964
Complete Citation:
Stokowski, Leopold and Brooks Shepard. Lettters. “Correspondence with Leopold Stokowski, 1963-1964,” 1963-1964, Edwin A. Fleisher Music Collection, Irving S. Gilmore Music Library, Yale University, New Haven, Connecticut.Notes: Comprises 2 letters from Stokowski to Brooks Shepard, Librarian, concerning Charles Ives’ Fourth Symphony.
Source: Archival Material
II. Reference Materials
E. Correspondence
Stolba, K. Marie
Year: 1990
Complete Citation:
Stolba, K. Marie. “Late Nineteenth-Century—Early Twentieth-Century Music.” In The Development of Western Music: An History, 789-793. Madison, WI: Brown and Benchmark, 1990.Notes: Discusses "The Alcotts" from the Concord Sonata, which is supplied with the supplementary recordings {D101}.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Stone, Kurt
Year: 1964
Complete Citation:
Stone, Kurt. Review of Charles Ives: Washington’s Birthday. Hallowe’en; The Pond; Central Park in the Dark. The Musical Quarterly, vol. 50, no. 1, 1964, 115-122.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1966
Complete Citation:
Stone, Kurt. “A Postscript on Ives’ Fourth.” The Musical Quarterly, Vol. 52 (1966).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1966
Complete Citation:
Stone, Kurt. “Ives’s Fourth Symphony: A Review.” Musical Quarterly 52/1 (January 1966): 1-16.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Stone, Peter Eliot
Year: 1984
Complete Citation:
Stone, Peter Eliot. “Charles Ives Wall-to-Wall.” High Fidelity/Musical America 34/8 (August 1984): 25-26.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Stout, Alan
Year: 1985
Complete Citation:
Stout, Alan. “Review of Charles Ives Symphonies Nos. 2 and 3.” American Music 3, no.4 (Winter 1985): 499-501.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Stout, Andrew
Year: 2016
Complete Citation:
Stout, Andrew. “Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius.” M.M. thesis, University of Missouri-Kansas City, 2016.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Stout, Andrew H.
Year: 2016
Complete Citation:
Stout, Andrew H. “Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius.” M.M. thesis, University of Missouri-Kansas City, 2016.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Stout, Jesseca
Year: 2016
Complete Citation:
Stout, Jesseca. “‘Swinging Sound of Cymbals’: Symphonic Form in ‘A Winter Walk.’” The Thoreau Society Bulletin, no. 292 (2016): 1-2.Source: Bulletin
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Stover, Harold
Year: 1997
Complete Citation:
Stover, Harold. “Charles Ives’s Variations on ‘America.’” American Organ-ist 31/11 (November 1997): 72-75.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Stowe, George W.
Year: 1960
Complete Citation:
Stowe, George W. “Currently Classical.” The Hartford Courant, October 9, 1960, 2G.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Strack, Sandra S.
Year: 2013
Complete Citation:
Strack, Sandra S. Die Klavieretude im 20. Jhd.: Virtuose ‘Fingerübung für den Interpreten oder den Komponisten? - Analysen ausgewählter Beispiele. Marburg, Germany: Tectum Verlag, 2020.IV. Individual Studies by Genre
C. Keyboard Works
Straub, Dorothy A.
Year: 1993
Complete Citation:
Straub, Dorothy A. “MENC Connections.” Music Educators Journal, vol. 79, no. 5 (1993): 4-51.Source: Journal
VI. Topical Studies
T. Ives in Music Education
