Utz, Christian
Year: 2005
Complete Citation:
Utz, Christian. “Bernd Alois Zimmermann und Charles Ives: Schichtungsverfahren, Intertextualität, kulturelle Verotung.” In Bernd Alois Zimmermann, Zeitauffassung und musikalische Poetik. Munich, Germany: Edition Text + Kritik, 2005.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Valdes, Lesley
Year: 1969
Complete Citation:
Valdes, Lesley. “Dutch Troupe, Relache Offer Tribute to Charles Ives’ Music.” The Philadelphia Inquirer, May 31, 1997.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Lesley Valdes. “Charles Ives Presents Pleasing Mix of Music: 3 Star Edition.” The Orlando Sentinel, November 18, 1990.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Van Hof, Chris
Year: 2011
Complete Citation:
Van Hof, Chris. “Audio/Video Reviews: “The Hunting of the Snark.”” ITA Journal, Vol. 39, No. 4 (2011): 54.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Van Vechten, Carl
Year: 1917
Complete Citation:
Van Vechten, Carl. “The Great American Composer.” Vanity Fair. April 1917.VI. Topical Studies
P. Ives Collaborators and Colleagues
Vance, David
Year: 2000
Complete Citation:
Vance, David. “Gloves Come Off for a Lively Round with Ives and Co: Late Edition.” Sydney Morning Herald, August 11, 2000.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Vaquero Williams, Claire
Year: 2013
Complete Citation:
Vaquero Williams, Claire. “Discos: Compra segura.” Scherzo: Revista de Música, Vol. 28 (2013): 53.Source: Magazine (recording review)
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Varley, Dennis Matthew
Year: 1983
Complete Citation:
Varley, Dennis Matthew. “Charles E. Ives and Second pianoforte sonata, Concord, Mass., 1840-1860.” D.M.A. thesis, University of Colorado, 1983.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Vastano, Robert Guy
Year: 2002
Complete Citation:
Vastano, Robert Guy. “A biographical and theoretical analysis of the trumpet in selected chamber works of Charles Ives: an aid to performance.” D.M.A. Thesis, University of Texas at Austin, 2002.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Velten, Klaus
Year: 1981
Complete Citation:
Velten, Klaus. “Der Künstler und die Natur. Ein Interpretationsbeitrag zum Liebschaften von Charles Ives.” Musik und Bildung 13 (1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1981
Complete Citation:
Velten, Klaus. “Der Kunstler und die Natur-ein Interpretationsbeitrag zum Liebschaffen von Charles Ives.” Musik und Bildung: Zeitschrift 13 (September 1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Vermeulen, Ernst
Year: 1968
Complete Citation:
Vermeulen, Ernst. “Compositions by Louis Andriessen and Peter Schat Incorporating Quotations.” Sonorum Speculum (Summer 1968) 35: 1-12.Notes: Compares quotations by Louis Andriessen and Peter Schatt with some aspects of Ives’s use of quotation. In English and in Dutch.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
Vermeulen, Ernst. “Musikale torso’s (10): Ives’ Universe Symphony. Machtig en Mannelijk.” Mens en Mels 49 (October 1994): 586-594.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Verrall, John
Year: 1953
Complete Citation:
Verrall, John. “American Chamber Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 21-26. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Victor, Jini
Year: 1974
Complete Citation:
Victor, Jini. Montage. The New York Times, October 20, 1974, sec. D, 21, 26.Source: Sculpture
Reprints: Shown as illustration in the article “Charles Ives, Musical Inventor” by Jonathan Cott.
XVI. Photographs and Artwork
B. Artwork
Vigil, Ryan
Year: 2013
Complete Citation:
Vigil, Ryan. IVES: Concord Sonata; BINKERD: Piano Essays IV, V, VI. American Record Guide, Vol. 76, No. 4 (2013): 107.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Vinay, Gianfranco
Year: 1974
Complete Citation:
Vinay, Gianfranco. “Charles Ives e i musicisti europei: anticipazioni e dipendenze.” Nuova Rivista Musicale Italiana 7 (1973): 417-429.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1974
Complete Citation:
Vinay, Gianfranco. L’America musicale di Charles Ives. Turin, Italy: Giulio Einaudi, 1974.Source: Book
VI. Topical Studies
L. Ives and America
