Tipton, Julius R.
Year: 1970
Complete Citation:
Tipton, Julius R. “Some Observations on the Choral Style of Charles Ives.” American Choral Review, Vol. 12, No. 3 (1970): 99.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Tischer, Matthias
Year: 2004
Complete Citation:
Tischer, Matthias. “Vielheit und Einheit im Dialog: Stichworte zu Charles Ives’ Musik für Theaterorchester.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 157--162. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Tischler, Barbara L.
Year: 1986
Complete Citation:
Tischler, Barbara L. An American Music: The Search for an American Musical Identity, 21, 38- 41,115. New York, NY: Oxford University Press, 1986.Notes: Discusses Symphony No. 3, Essays Before a Sonata, 114 Songs, and Majority.
Source: Book
VI. Topical Studies
L. Ives and America
Year: 1993
Complete Citation:
Tischler, Barbara L. Review of Charles Ives, “My Father's Song”: A Psychoanalytic Biography, by Stuart Feder. The Journal of American History
80, no. 2 (September 1993): 711-712.Source: Journal
III. Book-Length Studies
C. Book Reviews
Todd, Richard
Year: 1995
Complete Citation:
Todd, Richard. “Music Review: Two Settings of Same Ives Piece Makes Occasion Historical: Final Edition.” The Ottawa Citizen, June 18, 1995.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
Todd, Richard. “German Orchestra Revives Great Work of Charles Ives: Final Edition.” The Ottawa Citizen, May 30, 1998.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Tomassini, Anthony, Allan Kozinn, Jeremy Eichler, Anne Midgette, and James R. Oestreich
Year: 2004
Complete Citation:
Tomassini, Anthony, Allan Kozinn, Jeremy Eichler, Anne Midgette, and James R. Oestreich. “A Radical in a Suit and Tie: The One and Only Charles Ives.” The New York Times, May 7, 2004.Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles
Tommasini, Anthony
Year: 1996
Complete Citation:
Tommasini, Anthony. “Ives Upon a Breeze, Unplugged.” The New York Times. August 2, 1996, sec. C: 27.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Tommasini, Anthony. “Revisiting A Homage to American Composers.” The New York Times, January 23, 2001.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Tommasini, Anthony. “What’s So Gay about American Music? [Comments]” The New York Times. October 24, 2004, sec. 2, 27.Source: Newspaper
VI. Topical Studies
L. Ives and America
Year: 2004
Complete Citation:
Tommasini, Anthony. “Finding Iconoclastic Playmates for Ives, that Musical Loner: Review.” The New York Times, May 13, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Toncitch, Vonya
Year: 1972
Complete Citation:
Toncitch, Voya. “‘Three Page Sonata’ by Charles Ives.” Melos 5 (Septem-ber-October 1972): 277-279.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Toncitch, Voya
Year: 1969
Complete Citation:
Toncitch, Voya. “Charles Ives: Three-Sonata [sic] Pour Piano.” Revue Musical de Suisse Romande 22, no. 3 (1969): 3+.Source: Journal
Reprints: Toncitch, Voya. “Three Page Sonata' by Charles Ives.” Translated into German. <i>Melos: Zeitschrift für Neue Musik</i> 39, no. 5 (August-September 1972): 277-279.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1973
Complete Citation:
Toncitch, Voya. “Dodecaphonie et systemes de 24 et 31 tons.” Schweitzerische Musikzeitung Revue musicale suisse 113/5 (September-October 1973): 274-278.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Tonietti, Tito
Year: 1975
Complete Citation:
Tonietti, Tito. Review of L’America musicale di Charles Ives, by Gianfranco Vinay. Nuova Rivista Musicale Italiana 9 (1975): 137-140.Source: Journal
III. Book-Length Studies
C. Book Reviews
Tosser, Grégoire
Year: 2002
Complete Citation:
Tosser, Grégoire. “Links and Ligatures: György Kurtág’s “Ligatura-Message to Frances-Marie (The Answered Unanswered Question),” op. 31b.” Studia Musicologica: Academiae Scientiarum Hungaricae, Vol. 43, No. 3-4 (2002): 439-449.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Treat, William Upton
Year: 1933
Complete Citation:
Treat, William Upton. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1933): 11-30.Source: Journal
IV. Individual Studies by Genre
E. Songs
Treider, Leo
Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses
Treitler, Leo
Year: 1969
Complete Citation:
Treitler, Leo. “The Present as History.” Perspectives of New Music 7, no. 2 (Spring--Summer 1969): 1-58.Source: Journal
III. Book-Length Studies
C. Book Reviews
Treybig, Joel
Year: 2001
Complete Citation:
Treybig, Joel. “The Life of George Edward Ives: Cornetist and Bandmaster.” ITG Journal: The International Trumpet Guild, Vol. 25, No. 3 (2001): 33-37.Source: Journal
VI. Topical Studies
N. Ives’ Childhood