Taubman, Howard
Year: 1934
Complete Citation:
Taubman, Howard. “New Music Given by Pan-Americans.” The New York Times, April 16, 1934, 21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1948
Complete Citation:
Taubman, Howard. “Records: Ives Sonata.” New York Times, July 18, 1948.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1948
Complete Citation:
Taubman, Howard. “Records: Ives Sonata. Columbia Issues 'Concord' Piano Work Played by John Kirkpatrick.” The New York Times, July 18, 1948, sec. 2, 5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1949
Complete Citation:
Taubman, Howard. “New Works Given by Music Society: Ives, Kahn and Rathaus Pieces Introduced by International Group at Modern Art.” The New York Times, April 26, 1949, 29.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1949
Complete Citation:
Taubman, Howard. “New Works Given by Music Society.” The New York Times, April 26, 1949, 29.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives.” The New York Times, October 23, 1949, sec. 6, 15, 34-36.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives, An Interview.” New York Times Magazine, October 23, 1949.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1958
Complete Citation:
Taubman, Howard. “Forget Posterity.” The New York Times. November 23, 1958, sec. 2, 11.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Tawa, Nicholas E.
Year: 1984
Complete Citation:
Tawa, Nicholas E. Serenading the Reluctant Eagle: American Musical Life, 1925-1945. New York, NY: Schirmer [Macmillan], 1984.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Tawa, Nicholas E. “Ives and the New England School.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 51-72. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Tawa, Nicholas E. “Amy Beach and Charles Ives.” In From Psalms to Symphony: A History of Music in New England, 213-226. Boston, MA: Northeastern University Press, 2001.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Taylor, Davidson
Year: 1938
Complete Citation:
Taylor, Davidson. “Why Not Try the Air?” Modern Music 15 (January-February, 1938): 87.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Taylor, Paul, choreographer
Year: 1988
Complete Citation:
Paul Taylor, choreographer. Danbury Mix (1988); Paul Iaylor Dance Company. Music: Orchestral Set No. 2 (movements 1 and 3); Circus Band March; Orchestral Set No. 1 [Three Places in New England]: "Putnam's Camp" and "The Housatonic at Stockbridge.” Prf: 1988 May 12: New York.
1988 June 30: Durham, NC; Duke University; Page Audito-rium.
1990 March 8: New York; City College.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Taylor, Paul Franklyn
Year: 1986
Complete Citation:
Taylor, Paul Franklyn. “Stylistic heterogeneity: the analytical key to movements IIa and IIb from the First Piano Sonata by Charles Ives.” D.M.A. diss., University of Wisconsin-Madison, 1986.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Teachout, Terry
Year: 1990
Complete Citation:
Teachout, Terry. “Recordings in Review: Ives, Wright.” Musical America, Vol. 110, No. 1 (1990): 70.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1997
Complete Citation:
Teachout, Terry. “The Anti-Modern Modernist.” Commentary 103/5 (May 1997): 55-59.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1997
Complete Citation:
Teachout, Terry. “Cross Over, Beethoven.” Time 149/13, March 31, 1997.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
Teachout, Terry. “Loving America, and Voting with His Feet.” The New York Times. February 24, 2002: 41.Notes: Interview with Paul Taylor.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Téllez, José Luis
Year: 2004
Complete Citation:
Téllez, José Luis. “Charles Ives: Las Paradojas del Profeta.” Scherzo: Revista de Música, Vol. 19 (2004): 110-115.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Tenney, James
Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.Source: Liner Notes
IV. Individual Studies by Genre
E. Songs